Word: descends
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...increasingly crushing pressure and the laborious decompression process required to purge the blood of nitrogen (which can form bubbles as a diver returns to the surface and cause the excruciating and sometimes fatal condition known as the bends). And pressurized diving suits make it possible for humans to descend only to 1,440 ft.--far short of the deepest reaches of the oceans...
Would not Bosnia--I hear it's lovely this time of year--profit if tens of thousands of tourists were to descend with dollars and cameras? Would the Heisenberg gaze of strangers shame the ethnic purifiers and spoil the snipers' aim? Would commercialism defeat tribalism? Or maybe Disney could take over the war and give the fighters blanks and dummy mortar shells to fire: they would enact their hatreds daily as a permanent tourist attraction...
...visitors who descend on the park each day are a mere trickle compared with the daily flood tide of 27,000 that park officials expect in July and August. By midsummer, they predict, hour-long waits for shuttle buses to the overlooks will be common. Fistfights will break out in parking lots as thousands of motorists compete for 2,000 slots. So many hikers will suffer from exhaustion and other heat-related problems that park rangers will be forced to practice triage, leaving the least seriously affected vacationers at the bottom of the canyon to fend for themselves. Says...
Walzer's inability to descend from the academic tower and make a decision on an important issue of the day is reflective of a larger tension, that between the open mind and the strong backbone. How to reconcile continual questioning with the need to make decisions on contemporary issues? It is a question that is relevant far beyond the halls of an academic institution. Both qualities are not only beneficial, they are essential in society. Each of us, consciously or unconsciously, arrives at a moral or ethical system for making decisions, yet these systems are often unexamined and sometimes flawed...
Probably the best thing that can be said for the show's copious gallery of Madrid flowerpieces by Juan de Arellano and others from the late 17th century is that they are skilled exercises in a trivial genre; they descend from earlier Dutch conventions-those towering masses of tulips and roses, full of squishy virtuosity; but they lack the architectural grandeur of earlier Spanish works and promptly induce surfeit. After them, the Spanish still-life tradition nose-dived into academism and decor through the 18th century, with the single exception of the Madrid painter Luis Melendez (1716-80), whose massive...