Word: design
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Dates: during 1980-1989
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...prize has never before been shared, but the pairing seems apt. Both Niemeyer, 80, and Bunshaft, 79, are really being honored for their pioneering work of 25 and 35 years ago. Bunshaft is the Miesian. As the chief design partner at New York City's Skidmore, Owings & Merrill, he was the creator in the 1950s and early '60s of humane, impeccable steel-frame-and-glass-skin office towers, among the best built anywhere. Niemeyer is the prolific Corbusian, a quirkier and more perilously romantic builder of singular, often bombastic objects -- most notably the major public buildings of Brasilia, the utopistic...
...arms control. Not far beyond that story comes Profile, a department we introduced six months ago to provide word portraits of compelling personalities. This week's Profile, written by Washington Correspondent Ted Gup, is about North Carolina's often contentious, always colorful Senator Jesse Helms. Then there is the Design section, which showcases the work of Architects Gordon Bunshaft and Oscar Niemeyer, 1988 co-winners of the prestigious Pritzker Prize. Some stories can be told only in words, but this one must also be seen to be understood. The gallery of color photographs, accompanied by Contributor Kurt Andersen's description...
...complexity of multinational production, partly to old-fashioned indulgence. Says the Royal Shakespeare Company's artistic director Terry Hands, who staged the show: "It started to be loaded with lavish trappings, none of which I believe were necessary." Sources involved in financing the project estimate that the show's design elements alone cost nearly $4 million, including about $1 million each for costumes, sound and the elaborate hydraulically powered sets. About a third of Jujamcyn's $500,000 investment was spent on repainting its Virginia Theater black, to suit Carrie's somber theme, and on installing electrical wiring for effects...
Hard-liners in the West were quick to denounce the invasion as a first step toward the seizure of the oil fields and warm-water ports of the Persian Gulf, ) and as part of a continuing overall Soviet design for the conquest of the world. More moderate experts, like Diplomat and Historian George Kennan, the father of the doctrine that the U.S. and its allies must "contain" Soviet expansionism around the globe, had another explanation. They believed that Leonid Brezhnev and the other Kremlin gerontocrats were seeking a buffer zone against Islamic ferment in Iran, much as Joseph Stalin...
...magazine, and "the editorial voice failed to move with the times," says Yates. In an effort "to reflect the pragmatism of women as they move into the 1990s," Yates and Summers embarked on an expensive make-over, increasing the magazine's size and introducing a less cluttered design...