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Since its launch, the truck has been in high demand. Coolhaus has more than 4,300 followers on Twitter, where they are kept up to date on the truck's whereabouts. It has been profiled in food and design media alike and recently fielded a call from someone at Gehry's office, wondering when the truck would be making its way to that neck of L.A.'s suburban sprawl. And in a town where none other than Brad Pitt has made distinctive architecture as necessary as a personal trainer (Pitt interned at Gehry's office in 2004), the truck...
...vetted by federal officials to ensure they meet minimum standards for coverage. But other exchange details, like exactly which (and therefore how many) individuals would get to shop there and whether states or the Federal Government would be in charge, are still very much under discussion. Which exchange design emerges from Congress could go a long way in making or breaking health reform as a whole. (See TIME's video "Health Care for the Uninsured...
...sector to grow the economy and those who trust "the guy drawing up a business plan on the back of a napkin at Denny's." In an interview, he supported the privatization of Social Security, a constitutional amendment to restrain spending and the right of schools to teach intelligent design. He sees the stimulus as a defining issue, an inexcusable embrace of intergenerational theft that exposed Crist as a Specter-style Republican In Name Only. If the Republican Party is going to be indistinguishable from the Democratic Party, why bother having one? he asked...
Graffiti has since spread far beyond New York's boroughs, and its cross-fertilization with other art forms and traditions around the world is highlighted through original works by seminal street artists like Dutchman Boris Tellegen, who draws on his design background to create three-dimensional, industrial landscapes, and Brazilian Vitché, whose elaborate mural paintings evoke Indian and Aztec culture...
...struck out on his own in 1944, the beginning of his almost 50-year collaboration--both professional and personal--with composer John Cage. He strayed from Graham's romantic, balletic style and instead emphasized sudden changes of direction and insisted that the dance moves, musical score, set design and costumes all be prepared independently of one another...