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...that history, it is all the more puzzling that just a few months later, Rothko would agree to provide work for a restaurant in the newly completed Seagram Building. The commission came by way of Philip Johnson, the American architect and peerless cultural middleman, who had collaborated on the design of the Four Seasons and had also arranged for New York's Museum of Modern Art to buy its first Rothko. So it may have been partly out of gratitude that Rothko agreed to a project that was in every way wrong for him. The Four Seasons was glittering, elegant...

Author: /time Magazine | Title: Mark Rothko: Art of Darkness | 10/2/2008 | See Source »

...people who created the problem have already lost their jobs, but yes, any bailout risks rewarding the profligate and the foolish. But we're getting to the point where financial sector problems are starting to hurt people who didn't profit from the boom. And you can design a bailout that's not so much a bailout as a new start--such as the Swedish solution outlined above...

Author: /time Magazine | Title: 18 Tough Questions (and Answers) About the Bailout | 9/30/2008 | See Source »

...lieu of conventional chemicals, and have been monitored biweekly for soil health and texture for the past six months. The ongoing results of the plots “exceeded expectations” according to Eric T. Fleisher, who was a fellow last year at the Graduate School of Design. The plots were modeled after work that Fleisher directed at the Battery Park City Parks Conservancy in New York. The plots fed with compost are healthier, more visually appealing, and, in an unexpected bonus, require less watering than a set of controls that was fed with the standard mixture of chemicals...

Author: By Natasha S. Whitney, CRIMSON STAFF WRITER | Title: Yard Makeover Features Compost | 9/30/2008 | See Source »

...went to school at the Rhode Island School of Design. What did you major in? I was a film major with a concentration in animation...

Author: /time Magazine | Title: Family Guy's Seth MacFarlane | 9/26/2008 | See Source »

...altered. Piano’s plan will remove the Prescott Street additions to the museum, “primarily because,” Manoogian says, “those spaces were never really efficiently integrated into the actual building itself.” The Prescott Street additions were each designed and constructed at separate times and are therefore not uniform; each has its own entrance and its own floor-to-ceiling height. “The new wing that we’re going to build in place of them on Prescott Street will be seamlessly integrated into the original...

Author: By Anjali Motgi, CRIMSON STAFF WRITER | Title: Where Art Thou, Fogg? | 9/25/2008 | See Source »

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