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Feoktistov stayed with the Soviet space program after his return to Earth, helping to design its later fleet of ships, including the elegant Mir space station. Like only a handful of other cosmonauts and astronauts, he lived to see a crater on the moon bear his name. And like too many of them--the Deke Slaytons and Gus Grissoms and Wally Schirras and others--he now passes into celestial memory...
...purely technical level, the design elements are fantastic, and all of the performances are outstanding. In particular, Jeannette Bayardelle’s Serena is strong, regal, and utterly unforgettable, especially during her show-stopping solo “The Way I Love You.” Diedre Murray’s music is lovely, even if it gets lost in the excess of sung exposition. Regrettably, compelling performances and extraordinary singing cannot carry a show this poorly written...
...greatest contribution to the campus’ architecture may be that it achieves the impossible: it makes its neighbor, Mather, look attractive. Sert’s graduate student housing complex, built in 1964, may have been lauded for its innovative combination of building size and community-oriented design, but that doesn’t change the fact that it is oppressively ugly. The concrete towers and multi-colored metal shutters on the river-side windows seem to go out of their way to ruin what is otherwise an impressive set of buildings and, unfortunately, they succeed...
...pinnacle of Harvard’s architectural missteps, the Science Center lurks just outside the Yard, completely at odds with its red brick surroundings. Of course variety is welcome, but not when it looks like this. Sert supposedly took the shape of a camera as his inspiration for the design. Cameras in the 60s certainly looked very different to today, but I’m pretty sure they didn’t look like this. My suggestion: Knock it down and rebuild it in the shape of a sleek modern camera. Imagine the giant digital screen. Amazing...
Summer is clearly the most dangerous season for an acclaimed director. Burton’s characteristically beautiful costumes and set design remain, but all the style in the world couldn’t save this remarkably unnecessary remake—seemingly written by a studio hack who first identified the original film’s strengths and then thought hard about creative ways to make them much, much worse. In addition, I will gladly offer $30 to anyone who can cogently explain this film’s ending. Emphasis on “cogently...