Word: designations
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Dates: during 2010-2019
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...master of the tall order. Bruce Graham, who died March 6 at 84, designed two of the biggest, most famous and most starkly beautiful buildings in the world, both for Chicago, where he spent almost his entire career at Skidmore, Owings & Merrill. In 1970 the 100-story John Hancock Center was a revolution in skyscraper design. Working with Skidmore's brilliant engineer Fazlur Khan, Graham conceived a tapering tower with an exterior system of structural supports, including massive X-braces that made its façade a knockout emblem of architectural force. In 1974 Graham and Khan produced another masterpiece with...
...likely to develop such a complicated product. Austin is one of them partly because it has a tech-savvy population and a history of fielding such work - and also because it's an easy place for people to train for the profession, with local colleges offering courses in game design and programming...
...Edwards case crystallizes the harsh dilemma facing NASCAR. After the death of Dale Earnhardt Sr. during the 2001 Daytona 500, NASCAR officials put a premium on safety. Energy-absorbing walls were installed on the tracks, and new head-and-neck restraints were introduced for the drivers. A new car design, the so-called Car of Tomorrow, offered more protection. Some of the longer tracks mandated the use of restrictor plates, which place speed limits on cars...
...light of the ongoing power struggle between Iraq's communities and their regional supporters, the design of the country's democratic system may hamper efforts to build a strong government. Iraq's democracy is a parliamentary system based on the principle of proportional representation - voters all over the country simply choose a party or bloc, whose list of candidates is then allocated the number of seats in parliament proportional to its share of the total vote. The Prime Minister is chosen by a parliamentary majority. While the system may be designed to promote consensus, in the absence of consensus...
...sprawling, deliberately worn set takes full advantage of the Loeb Ex’s black box space. Staging and lighting are mostly unobtrusive, allowing the actors to carry the play. Sound design plays a larger role—piano interludes complement the household’s cultural conflicts, while a battered turntable that sticks frequently punctuates the play’s powerful final moments. Overall, the production is fairly sparse, which accentuates the dreary gloom of the Harrington family’s relationships and takes the edge off some of the potential melodrama...