Word: designators
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...words, a testament to Gray’s power as a writer. And while each delivered lines marked by his own cadence (Cianci, for example, often stopped and looked pointedly at the audience to elicit laughter), it was clear that they represented one voice.In many ways, the original design of Gray’s performances was preserved. The set consisted of three black platforms, some dark simple furniture on which the actors perched, and a simple backdrop that changed color as the monologues changed in tone and content. Each actor took turns reading Gray’s words from their...
...employs the vocabulary of French classical ballet. The story of Pelleas et Melisande is a mysterious tale evoking the origins of the French national sensibility. It features pastoral and water imagery which is reflected in the fluid, symmetrical movement of the dancers, as well as the effective costume and design choices. The curtain is drawn to reveal a stylized woodland scene. White curtains set off the deep emerald green background, and the cast of female dancers, in their long green tulle skirts, match their environment perfectly. The first half focuses on port de bras, with the dancers dividing into pairs...
...Tropicana • classic old orange juice packaging that was just weeks ago replaced for no good reason whatsoever with laughably inferior generic design is hurriedly brought back...
...Bravo chronicled the high maintenance and the people who highly maintain them. No area of pampering was too obscure: luxe hotels (Welcome to the Parker), fashion (The Rachel Zoe Project), hairdressing (Blow Out), real estate (Million Dollar Listing), upscale gyms (Work Out), home décor (Top Design), even exclusive-travel-booking (First Class All the Way). Whether you snark at the housewives or cheer for Top Chef's hopeful restaurateurs, there's always a window-shopping appeal: the aspirational lure of those spa treatments and seared foie gras...
Since meeting him, I had always had the goal of working with Max on a public commission. I was lucky to get that chance during his last few months, when we teamed up in a competition to design a new museum of African-American history and culture. The more I got to know him, the more my admiration and love for this architect, humanist and wonderful counselor increased. Max left an incredible legacy that will continue to inspire our profession and open opportunities for future generations...