Word: designators
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...success. By 1851, it was one of the five largest libraries in the United States. Past members include Ralph Waldo Emerson, class of 1821, and John Quincy Adams, class of 1787. Nowadays, paid membership is still required. The building retains its 19th century feel through its architecture and interior design, as well as its aged patronage and solemn security guard. Kellner’s depiction of the prestigious Athenaeum is modern, but not revolutionary. “In front of the director’s office on the 4th Floor” contains composite photos that tilt more...
...Three years after beginning her work at the CIA, McCulla was ready to quit her day job and move into cooking full-time. Following her husband, Brian D. Goldstein ’04, who is pursuing a Ph. D. in architecture at the Harvard Graduate School of Design, McCulla returned to Cambridge. Fortuitously, McCulla came back to her alma mater just as Jessica Zdeb, the former FLP coordinator, was leaving to become an organic farmer in France...
...stasis is not Italy's natural condition, is sponsoring an exhibition that showcases the fastest of the country's past glories. "The Legend of Speed: Art, Motorization and Society in 20th Century Italy" at the Palazzo delle Esposizioni takes visitors on a journey through a century of Italian art, design, fashion, cinema and technology to remind them of what global pacesetters Italians have been. Stretched to its conceptual limits, the show's theme of velocity allows for the inclusion of many of Italy's most dazzling products - from Futurist artworks to Pucci dresses and Olivetti typewriters...
...When it reaches the 1960s, the show grows patchier. Italian design was stellar during this era, but speed-related examples are scarce. A 1969 Olivetti typewriter symbolizes what qualified then for a new-found velocity in communications, while minidresses from Emilio Pucci and Missoni sneak into the show on the dubious grounds of their swerving, abstract patterns. A room dedicated to the flashing graphics of the 1960s Kinetic Art movement serves only to remind us that its finest exponents - Jean Tinguely and Alexander Calder - came from elsewhere...
...qualities. The action—or lack thereof—played out before a gorgeous painted backdrop of a forest. Throughout “The Divine Reality Comedy,” the company made excellent use of exquisite two-dimensional cut-outs of clouds, stars and faces. Puppetry and design is clearly the group’s forte. A particularly impressive feat of costuming surfaced when the ensemble donned security cameras for heads, in what was stylistically unique yet contrived commentary on post-Patriot Act surveillance. But the impact of this too was lessened when one of the cast members...