Word: designer
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Dates: during 1980-1989
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While Barbouti acknowledges that he was aware of the chemical plant, he says he is sure it was not designed to turn out chemical weapons. "In four years, sitting with the engineers and technical people on committees, nobody has mentioned or hinted that something secret is there," he says. In fact, he argues, one Rabta building, code-named Pharma 150 and reportedly the center for poison-gas manufacture, was not even included in his original design. "I draw the site plan myself -- my hand," declares Barbouti, adding that Pharma 150 was built sometime in 1987, after he completed his work...
There's a way to fix the auto-insurance mess. And in many states it's now such a mess, and people are so upset, it could conceivably lead to an entirely new system, one designed to serve the public rather than the attorneys and insurance agents. You could hardly design an auto-insurance system worse than ours. With minor variations, it works the same in every state, and it favors only three groups...
...sprig of vegetation into a 62-acre tropical garden, ringed by three towers, 1,241 rooms, seven restaurants, 75,000 sq. ft. of convention space, a 17,500-sq.-ft. health spa, 1,640 transplanted coconut-palm trees at $1,000 apiece and water everywhere else. The design is the work of Christopher Hemmeter, a sort of revolutionary in the resort business. His tastes run toward the liquid: private lagoons full of sociable fish, waterfalls, whirlpools, water slides and vast, curvaceous pools. Distinction lies in myriad details, like the seven bird keepers who ensure that the 27 pink flamingos...
...exhibit is significant in that it shows not only the design of the building, but also its relation to neighboring buildings. The architects seem to have fulfilled Harvard's wish of unifying the museums. One of the building's designers, Charles Gwathmey, who will be discussing his firm's work at the Fogg next Thursday, said last week that the project "imaged [the museums] into a kind of architectural assemblage that would present the Fogg as an institution of parts but all interconnected." Accordingly, the plans demonstrate how the architects integrated old and new into a cohesive unit, both structurally...
...Design-wise, the simple, rectangular building will complement the ultramodern, cement Carpenter Center and the majestic red-brick Fogg without mimicking either. To enhance the structural unity are the proposed exterior materials, "warm gray" porcelain metal panels, honed, green Vermont slate tiles and flame-finished pink granite, "intended to mediate the monolithic scale of the concrete Carpenter Center on the one hand, and the brick of the Fogg on the other...