Word: designer
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Dates: during 1990-1999
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...conceptual foundations of the Internet and its seemingly interminable resources? Do you want to read about the lurid past of the Net and discern the direction of its evolution? If so, then Esther Dyson '72 has written a new Bible for you, alluringly entitled Release 2.0, A Design for Living in the Digital...
...both a personal vision and a design for living in a highly computerized and networked age, Release 2.0 is brimming with autobiographical details of the author's ascent in a largely male-dominated world of venture capitalists and upstart corporate analysts. Such reminiscing remains appropriate in the first chapter, where Dyson speaks of "How [she] got the story and learned to love markets." Her attempts to find a vocational niche in Moscow and her participation on the board of the Electronic Frontier Foundation, an online civil liberties organization, require less of the conversational tone used in discussing her childhood dinners...
...broken, but don't worry--Marty Tenenbaum knows how to fix it. Tenenbaum is chairman of CommerceNet, a nonprofit organization based in Palo Alto, Calif., and devoted, unsurprisingly, to promoting commerce on the Net. And his silver bullet, an obscure design language called XML, is about to transform cyberspace...
...these scenes, the simplicity of the set design--a bare stage, whose back-drop, with its slowly changing colors and tones of light, evokes the horizon of a flat African savannah--suddenly makes its aesthetic value felt. The dancing warriors are the only thing on the stage: the tawniness and black-and-white spots of the animal skins they wear, the flowing white fur of wristlets and anklets flying with their movements, the sharp vertical movement of spears and staves and of the black-and-white geometrical design of the tall shields all convey an energy which is certainly...
Credit must also go to Janie Fliegel, the reigning queen of Boston set-design, who constructs an apartment for the Slopers that demonstrates their wealth but also communicates how isolated and restricted Catherine is by her social station...