Word: designers
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Dates: during 1990-1999
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Among them are Josh Patner and Bryan Bradley, who constitute the design team Tuleh, a purveyor of fetching party wear. In business for just one year, the partners last week won a nomination for the prestigious Perry Ellis Award from the Council of Fashion Designers of America. Sportswear too is flourishing, notably in the output of Patrick Robinson and Pixie Yates. And even ball gowns have a tasteful advocate in William Calvert, whose collection is sure to be the highlight of this week's South of Seventh event in New York City, which is intended to showcase the work...
...tailoring and use of luxurious fabrics, some of which are his own innovations. "Patrick is much more about style than trend, and the customer appreciates this," explains Nicole Fischelis, vice president and fashion director of Saks Fifth Avenue, which carries Robinson's line. "There is an integrity to his design that's very special...
...native Californian, Robinson had planned to follow in his father's footsteps and become a doctor, but instead studied at Parsons School of Design in Manhattan. At 28 he found himself heading Anne Klein's collection line. In 1996, after Robinson had served three seasons to mixed reviews, the company closed its high-end business. Jobless at 30, he decided to start his own label that year...
News Editors: Stephanie K. Clifford '00, Joshua H. Simon '00Night Editor: Caitlin E. Anderson '00 Assistant Night Editors: Jordana R. Lewis '02, Tova A. Serkin '02 Feature Editor: David A. Fahrenthold '00 Story Editors: Georgia N. Alexakis '00, Gregory S. Krauss '00, Andrew K. Mandel '00 Design Editors: Michael S. Papish '02, Nancy M. Tran '02 Sports Editors: Amy E. Ooten '01, Richard A. Perez '00 Editorial Editor: Noah D. Oppenheim '00, Stephen E. Sachs '02 Photo Editors: Debbie J. Lee '00, Lauren P. Malan '02 Business Editors: Adam S. Cohen '01, Nickolay T. Boyadjiev '01 Online Editor...
...almost ironic that Hadid's design for Cincinnati should have the best chance of all her work of being built. The site is quite vertical, and Hadid's architecture is usually characterized by exaggerated horizontal plinths and floating fractured wedges. Her fondness for the stretch is expressed in Cincinnati partly by what she calls "the urban carpet": the street becomes the lobby floor, which slopes gently up and becomes the wall. It's also evident in the long, shallow staircase that slices through the building like a rapier. From this staircase visitors can get fleeting glimpses of the art from...