Word: designers
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Dates: during 1990-1999
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...made his first million by selling a design for an electronic translator to Sharp Corp. He was so absorbed in the process that he forgot to wheel his Porsche over to Berkeley city hall for his own wedding. He founded Softbank Corp. in Tokyo in 1981. Legend has it that after he stood atop a crate and ranted about the company's future domination of the PC industry, his first two employees quit on the spot. Despite that vote of no confidence, Softbank went on to become Japan's leading software distributor...
...life can be expressed as it was really lived. Roquentin wishes for the type of meaning in his own life that one can bestow on another's life after the death of that person, where everything in that person's life can be viewed as following a central design and moving towards a goal. The problem inherent in writing a biography is that any representation of the person's life as leading to a logical goal or conclusion fails to reflect the chaotic, first-person perspective in which the subject actually lived his or her life...
...After all the excitement of designing her own clothes, Waddell describes costuming for Harvard theater as "a step down." Unfortunately, because of the absence of fashion in the University, costume design is the only outlet available to her. "I can't be as personally creative," she admits grimly, "but I have learned a lot." She works under a lot of pressure, measuring and dressing entire casts in just one or two weeks. A new challenge was working within the constraints of a distinct historical period, as with Giasone. One senses that the Renaissance style was perhaps too much...
...Considering the amount of time she spends working on various productions, it is surprising to hear that Waddell is not a huge theater fan. She confesses that she wouldn't watch half as many shows as she does now if she weren't involved in the costume design. She was so wrapped up in the costumes for VI that she didn't even know the name of the show till the dress rehearsal...
...degree of unity that Yeremin orchestrates on a sensory level is downright astonishing. Scott Bradley's sets are a work of art in themselves, something of a cross between installation art and Isamu Noguchi's minimalist sets for the New York City Ballet. Add to that the light design of John Ambrosone, for whom no slant of light or subtlety of shading is unattainable, and the stoic formalism of Catherine Zuber's costumes, which make Chekov's rural social philosophers seem as though they could just melt into the landscape, and you have a two-hour-long painting...