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...Museum of Modern Art Over the last decade of interior design, Modernism has been rescued from the garage, dusted down and brought back into the living room. Go for the real thing with a leather-and-steel LC-1 chair designed in 1928 by Le Corbusier and Charlotte Perriand ($1,735). Or there's the Lily table lamp with its 21st century take on Modernism: the beauty of nature gets a minimalist makeover ($565). www.momastore.org...

Author: /time Magazine | Title: Something Like the Real Thing | 11/7/2007 | See Source »

...hopeful Sam Seidel said of the tension between resident concerns and development. “But if it’s perceived as being fair that’s what you have to aim for.” Seidel, a graduate of Harvard’s Graduate School of Design who was narrowly defeated in the 2005 election, said he would solve this equation in two ways: developing higher densities around transit nodes, such as Porter Square, and making new building conform to environmental standards. But for Kelley, who was elected for the first time two years ago, the most...

Author: By Laura A. Moore, CRIMSON STAFF WRITER | Title: In Race, Candidates Touch on Quality-of-Life, Environment | 11/4/2007 | See Source »

...increasing hysteria and absurdity of the proceedings is reflected by an increasing breakdown of spaces and reality as the play progresses. Everything becomes more exaggerated, from the humorous to the shocking. The result is a second half that is much stronger than the first. The set (designed by J. Michael Griggs) literally comes apart, starting as a self-contained room and ending up with the side walls completely turned around and the stage open all the way to the miscellaneous props and lights in back. While it is occasionally distracting when a stagehand has to wheel in a spotlight from...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ‘Oh Dad’ Delivers Wry Wit | 11/4/2007 | See Source »

...Brito was a very convincing Mother-in-law, and her experience on the stage was very evident. Lastly, Adrienne White ’09 comically portrayed the maid Criada, and although she struggled a little with her Spanish, gave a very strong performance throughout the night.Although the set design (by Hanley) was very simple, it stayed true to Garcia Lorca’s style and symbolism. An obsession with white, so common in Lorca’s plays and poems, was evident in the white hanging curtains, and provided a beautiful touch. The costumes (designed by Joanna Marquina...

Author: By Andres A. Arguello, CONTRIBUTING WRITER | Title: ‘Sangre’ Sears, in Spanish | 11/4/2007 | See Source »

...graduated from Harvard’s Graduate School of Design in 2001 with a degree in urban planning...

Author: By Nicholas K. Tabor, CRIMSON STAFF WRITER | Title: Urban Planner Makes Second Push for Office | 11/4/2007 | See Source »

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