Word: designs
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Dates: during 1940-1949
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...world, which has so far failed to organize itself as one world, at least and at last got a symbol of unity: a worldwide flag. At Lake Success, the U.N. Assembly's Legal Committee took five minutes to approve a secretariat design: a white polar projection map of the earth's seas and continents on a smoke-blue background. As with the U.N. emblem adopted last year, the earth was shown girdled with olive branches. For the present, nobody would be required to pledge allegiance to the flag. But it would be handy for identifying U.N. outposts...
Class of 23. The tradition of the late, famed schooner Bluenose* is perpetuated in a class of pleasure craft designed by William J. Roue and now being built in four Nova Scotia yards. The baby Bluenoses, sloop-rigged, are only 23 ft. overall and retail for about $1,250 in Canada, or $1,500 in the U.S. Bluenose owners have already started an international association to freeze the design of the class, regulate racing and keep alive the name of the original Bluenose...
...Regardless of the nature of their particular defects, most patients hear best with an instrument which amplifies all frequencies uniformly, or with moderate emphasis of the higher frequencies," the researchers reported in "Hearing Aids: An Experimental Study in Design Objectives," just published by the University Press...
Congratulations on the cleverest cover background design that has appeared on TIME in many months. The contrast of the dark skin of Jackie Robinson and the white surfaces of the baseballs is only a starting point for Artist Ernest Hamlin Baker's ingenious arrangement of the red sewing-lines on the baseballs to lead the eye in & out and roundabout the picture area, and to suggest a celestial dream world of baseball in which the happy First Baseman grins his delight...
Nearly 3,000 painters had heeded the tinkle of Pepsi's cash register. Of their entries, 159 went on display in Manhattan's National Academy of Design last week. The paintings were mostly mediocre landscapes and city scenes. Most of the exhibiting artists were unknown on 57th Street (Manhattan's Gallery Row), so their almost unfailing competence, learned in the country's burgeoning art schools, came as a slight shock to complacent Manhattanites...