Word: desk
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...Army was having kind of spilled over onto us," says Beetle creator Mort Walker, 73, who has faced the wrath of feminists in the past. "Some editors felt that although we weren't condoning it, we were on the edge." So, no more chasing MISS BUXLEY around a desk or falling off his chair to get a better view when she walks past. (The general ceased ordering her to retrieve files from the bottom drawer about 10 years ago.) He even apologizes to her and PRIVATE BLIPS. He's a reformed general--almost. "He's still a bad golfer...
...claims did not, like him, eat in the cafeteria or talk to the Working Man. At the very least, Ray Marshall and Lynn Martin did so. Reich says he rescued Frances Perkins' portrait from a 12-year exile in a closet. But old Frances was hanging above Martin's desk until she turned out the lights a few days before Reich moved...
...chaste affair of the feet. Sugiyama takes ballroom classes at which he is pathetically inept, and it is ages before his dream girl agrees to help him (in a lovely montage scored to the Drifters' Save the Last Dance for Me). As he practices his steps--at his desk, in the subway, under a bridge in the mild rain --the zombie is revived. "Every day I feel so alive," he says. "Even being tired feels great." His rejuvenation lasts one act too many, but it has a satisfying payoff, to the tune of guess-which Rodgers and Hammerstein tune...
...cons in Con Air could almost have landed their plane on it. We speak of The Desk, the 20-ft.-long, T-shaped mahogany table once shared by Don Simpson and Jerry Bruckheimer. From this monolith the two producers launched enough script-to-screen missiles to become Hollywood's premier action faction. Their two-hour commercials for American machismo (Beverly Hills Cop, Top Gun, Bad Boys, Crimson Tide) made stars of their young actors and quillions for S. and B. Then in January of last year, Simpson died at 52 of a drug overdose. The industry asked, Whither--or wither...
...Desk is in mothballs now, and so are any questions about Bruckheimer's ability to do it himself. Last year's The Rock, which he produced without Simpson's help, earned a burly $134 million at home and $196 million more abroad. Con Air, which could equal that take, wears the Jerry Bruckheimer Films label, but it has all the S. and B. accoutrements: a director bred on Madison Avenue, a Lego-assembly plot about escaping from a confined space, a lot of chatty male attitude, a dogged belief that car crashes and gay men are hilarious, and the near...