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Musical archivists may show scant interest in the warbling of Dorothy Collins and Johnny Desmond, but a player-piano version of Rhapsody in Blue, plunked out by Gershwin himself in 1937, is of historical interest...

Author: /time Magazine | Title: Time Listings: Time Listings, Feb. 16, 1959 | 2/16/1959 | See Source »

Actually as well as metaphorically, this Twelfth Night is a composition in warm colors rather than bright ones. Desmond Heeley's permanent set, which does a great deal to determine the mood of the play, is done in browns and golds, never drab but always subdued...

Author: By Julius Novick, | Title: Twelfth Night | 1/16/1959 | See Source »

...perhaps thank its stars not to boast any; this Twelfth Night, as directed by Michael Benthall, gets its fine effect from its ensemble effect. Actors who know how to speak Shakespeare, to do wonders with an intonation, know also how to join hands. Desmond Heeley, with his charming costumes and simple set resembling an old, delicately drawn tailpiece or design, knows how to achieve a background. There is for once in the theater the sense of letting something deathless prove its mettle and not of belaboring something lifeless to move its limbs...

Author: /time Magazine | Title: The Theater: Old Play on Broadway, Dec. 22, 1958 | 12/22/1958 | See Source »

...specific issue is a simmering deal to build a $15 million plant to refine Venezuelan crude oil in Jamaica. Barbados-born, U.S.-naturalized Oilman Frank Desmond St. Hilaire proposes to finance a 16,500-bbl.-a-day refinery at Kingston, bankrolled by the U.S.'s Colorado Oil & Gas Corp. But Jamaica's legislature must pass a bill giving him a 15-year monopoly on oil refining in Jamaica-plus enticing tax concessions...

Author: /time Magazine | Title: THE WEST INDIES: Island's Rights | 11/17/1958 | See Source »

...narcotics-addicted jazzmen). The 1958 festival is almost certain to clear even more than that. But as Newport's popularity with the public soars, its reputation among jazzmen is declining. They regard it as a giant public relations carnival-"a jazz supermarket," Trumpeter Davis calls it. Saxophonist Desmond feels that Newport is all right "for the young fellows just getting started," but that established stars "have nothing specially to gain, and the critics present can give us a roasting...

Author: /time Magazine | Title: Music: Jazz Supermarket | 7/14/1958 | See Source »

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