Word: despont
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Dates: during 1997-1997
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Walsh and Meier had their disagreements about its display--Walsh liked sober, richly colored walls as a background for the art and insisted on "period room" effects for the furniture, whereas Meier wanted neither. The period decor, which was handled by the New York City architect-decorator Thierry Despont, is a flop. But Meier served the art very well, with a series of generously proportioned, plain, high-ceilinged and top-lighted galleries that don't clamor for attention and do create a feeling of undistracted serenity. They recall the enfilade effects of older museums, but Meier has cunningly provided...
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