Word: detail
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Dates: during 1980-1989
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...exhibition offers that desire in all its facets. It shows itself to spectacular effect in the obsessed, lyrical mysticism of Runge, a painter who was perhaps the closest equivalent to William Blake that Germany ever produced. In Runge the world is imagined in extreme detail, near and far, as a sort of metaphysical machine, a generator of intricate meanings about the life of the universe: birth, death, renewal, metamorphosis. His ambition (never fulfilled) was to do a cycle of religious murals, Four Times of Day; they would be installed in a special chapel and would form, Runge hoped, the nucleus...
...began as an original-a white man who sang like an angry black and moved like a bad woman-and ended as a bloated amalgam of Liberace and Judy Garland. It was the standard show-biz tragedy, which Andrew Solt and Malcolm Leo document in delicious detail. Today Elvis remains a thriving industry, like Disney; this film is both a comment on that industry and (through the authorization of Presley's mentor, Colonel Tom Parker) a part of it. The remark of the Hollywood cynic, upon hearing of Elvis' death-"Good career move"-was prophecy after...
...supporting cast works with the same attention to comic detail that enlivened Epstein's baroque production of A Midsummer Night's Dream last year. William McGlinn's mincing music teacher. Thomas Derrah's stuttering judge, Chris Clemenson's lumbering clerk and Albert Duclos' staggering, alcoholic gardener together cover the entire spectrum of sycophancy...
...minutes to four hours. Sears, for example, could buy half an hour of air time to explain how to redecorate a porch, with Sears paint and Craftsman tools, of course. Ads comparing brand-name products, extolling the merits of one over the other, could be dealt with in laborious detail. Says Michael Dann, senior program adviser to ABC's Video Enterprises: "The advertiser who wants to spell out the differences between Phillips' Milk Of Magnesia and Pepto-Bismol is going to get a hell of a lot more time...
Filed from Northern Ireland, the column had the vivid detail and emotional wallop that readers of the New York Daily News had come to expect from Michael Daly. Titled "On the Streets of Belfast, the Children's War," it described how British soldiers had wounded a 15-year-old boy when they used real bullets instead of plastic ones to disperse youngsters throwing gasoline bombs. But Daly's account did not ring true at the London Daily Mail. After an investigation, the Daily Mail labeled the column "viciously anti-British" and "a pack of lies," with at least...