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...Paul Blart, who works the security detail at a West Orange, N.J., mall, doesn't even seem to be internalizing the expected rage. A single dad whose hypoglycemia has disqualified him from the police force, he endures the insults of a pen salesman (Stephen Rannazzisi) and the polite indifference of Amy (Jayma Mays), the cute gal at the hair-extensions booth, without troubling to seethe. He motors around on his Segway - riding it is the one thing at which he's an ace - smiling at Amy, shrugging off the rest of the world. Either Paul is conditioned by decades...

Author: /time Magazine | Title: Mall Cop and Other Disreputable Pleasures | 1/20/2009 | See Source »

...name is Muzaffar, and his testimony was obtained over cell phone from his place of temporary detention in India by the Arakan Project, a Bangkok-based group advocating the rights of these boat people. Muzaffar's account appears to amplify other published reports - except in greater detail. He said Thai security forces first forcibly detained him and hundreds of other refugees offshore and then towed them back into international waters in a motorless barge, where they were at the mercy of the shark-infested sea. More than 300 people who were with Muzaffar are missing; they are all believed...

Author: /time Magazine | Title: Abandoned at Sea: The Sad Plight of the Rohingya | 1/18/2009 | See Source »

...refused to be modern in any terms that the art world cared about or could stomach. Long after it was no longer fashionable or even permissible to practice a flinty, granular realism, Wyeth went on making pictures with the kind of brushwork that specified the world in almost molecular detail. That his technical capabilities were so apparent only made it more annoying to some critics that he wouldn't turn his back on them. Virtuosity of that kind was something that we almost wanted to get off the table, an embarrassing reminder of pleasures that painting had to shed...

Author: /time Magazine | Title: Andrew Wyeth's Problematic Legacy | 1/17/2009 | See Source »

Wyeth feels that if he wants to find exotic things, he need only explore a couple of miles beyond the gas station at the Chadds Ford crossroads. But if he does not first learn his own small world to the last detail, how will he abstract the vibrancy and vitality from it, how will he record the unexpected, the out-of-kilter, the sudden clap of distant thunder? So he has chosen to follow the advice of Poet-Painter William Blake and see a world in a grain of sand...

Author: /time Magazine | Title: TIME Cover: Andrew Wyeth's World | 1/16/2009 | See Source »

Writing in fiction was a significantly different experience from writing in the academic discipline, Kamensky noted. “There was a point where we—and I mean Jill—wanted to footnote every little historical detail that we knew. And finally we stopped that...

Author: By Helen X. Yang, CRIMSON STAFF WRITER | Title: Authors Talk of Boston's Past | 1/15/2009 | See Source »

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