Word: details
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Dates: during 1930-1939
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...TIME, Jan. 30 you described in some detail a new game that was supposed to be very popular in Germany- Juden Raus [Out With he Jews...
Mariners who correct their compasses for variation also have to correct them for deviation, a local error caused by magnetic metals (chiefly iron, steel) in their own craft. The Research is unique because she is nonmagnetic in every possible detail, will have infinitesimal local deviation errors. A throwback to the wooden-ship days, she has a hull of teak, bolts, girders and anchor chain of aluminum bronze. Her cooking utensils and tableware are aluminum; her four Diesels (three for auxiliary power, one for propulsion in calms) are of bronze and aluminum. Her only steel is in their crankshafts and cylinders...
...ordinary Duco enamel but a similar nitrocellulose paint. It has taken him six years, since he first started work with Siqueiros in Mexico City, to train his trigger finger to its present control. Painted on pressed wood, his two mural Portraits of New York were full of refined detail, though somewhat lifeless in color and very stark in symbolism. Each embodied a major ingenuity which Artist Berdecio calls "kinetic perspective" by which distortions are so anticipated and utilized as to make the mural a satisfactory, if somewhat different, picture to spectators from each side as well as in front...
Full of interesting detail, the biography notes that all the Goodman kids drank coffee as soon as they were weaned. Milk cost too much for a Chicago garment-worker's family. Goodman recalls that he first met the late great Trumpeter Beiderbecke on Aug. 8, 1923, because that was the day the youngest Goodman, Jerome, was born. The first band under Goodman's direction was a pickup combination that he took to Cannon Club for a 1929 Princeton house party. His first national publicity, on the occasion of his 1935 Sunday concert, while playing in Chicago, is attributed...
...somewhat cursory, Miss Hoffman's chapters on great sculpture are aided by keenly chosen illustrations. Once a worshiping student of Rodin, she speaks with equal understanding of the intense simplifications of Brancusi. But her chief theme is the craft itself. Among other things, she describes in ingratiating detail: the processes of casting in bronze, techniques and mechanisms for making enlargements from a small model, tools, tempers and techniques for working in different types of stone, an orderly scheme for scrubbing a studio...