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Shift to Realism. Moneymen seemed relieved that Germany would no longer try to keep the mark at the unrealistically low price that had allowed the country to pile up enormous trade surpluses to the detriment of the economies and currencies of other nations. As the mark rose, the French franc dipped, then climbed back at week's end. Traders saw new hope that the combination of the recent 12.5% French devaluation and an eventual German revaluation would add up to almost a 20% shift in the official values of the two currencies-making the difference in their formal exchange...

Author: /time Magazine | Title: Money: Aquarius in the Foreign Exchanges | 10/10/1969 | See Source »

...mechanics of melodrama infest the story to its detriment. The tough white whore (Susan G. Pearson) commits suicide offstage out of unrequited love for Johnny, an event that is distinctly implausible. At times the play meanders without a visible sense of direction. Despite such flaws, the drama ticks with menace and, for such an abrasive subject, is unexpectedly and explosively funny. Gordone has expertly oiled the sly and sassy tongues by which black puts down his fellow black, and the cast's phrasing of these expletives is impeccable...

Author: /time Magazine | Title: New Plays: Bar Stool in a Black Hell | 5/16/1969 | See Source »

...presence of Harvard in Cambridge is to the economic detriment of the city...

Author: NO WRITER ATTRIBUTED | Title: PEREGRINATION | 5/14/1969 | See Source »

Gory Camp. Humor is no detriment at all to the third and best play of the triad. An epicene author named Kayo Hathaway (William Young), sleek as a snake and wicked as a weasel, has made a million by turning out reams of gory camp about a Commie-hating little old lady in sneakers and her homicidal gorilla of a son. Granting an interview to a worshipful young fan (Matthew Cowles), Hathaway utters the pomposity: "You get what you give." And that becomes the text for a murder that is as amusing as it is satisfying...

Author: /time Magazine | Title: Theater: Laughing in the Dark | 3/28/1969 | See Source »

...between students and instructors of the course." But, just as an aside, something seemed wrong with the strategy: if we as blacks have learned little else from our curious history in this society, we should have learned to avoid involvement in polemics that pit black against black to the detriment of our common struggle. For in this way we become the true "pawns," while the decision-making forces in the Harvard setting--and surely they watch bemused by the spectacle, even under the guise of dispassionate objectivity--remain unindicted for their intellectual negligence...

Author: By Charles J. Hamilton jr., | Title: Black Polemics | 11/4/1968 | See Source »

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