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Word: deux (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Pithoprakta (meaning actions by probabilities) has twelve dancers skittering, scuttering, rolling across the stage like nodes and waves of electrical energy. A lithe, half-naked Negro in black (Arthur Mitchell) and a tall girl in white (Suzanne Farrell) do a fluid, sex-charged pas de deux that builds to brief contact, then breaks to a tense conclusion, with the girl's body straining alone as the curtain falls...

Author: /time Magazine | Title: The Dance: Sight Welded to Sound | 1/26/1968 | See Source »

...admire his work. She applauded so well that he spirited her off to Monaco for a gala chez Princess Grace. Not content with two performances at the Monte Carlo Opera, Rudi fetched Lee onto the floor at the Black Jack Club for what was probably his first pas de deux anywhere in a fur Mao Tse-tung jacket. "Rudolf dances almost as well in private as he does onstage," Lee marveled...

Author: /time Magazine | Title: People: Dec. 1, 1967 | 12/1/1967 | See Source »

...Deux. From the moment of 188's launching, Russian scientists say, computers aboard Cosmos 186, reportedly large enough to carry a crew of five, began the sophisticated automatic process of finding and linking up with Cosmos 188, the passive, beaconlike partner in the space pas de deux. Then, while 188 was still in its first orbit, the two spacecraft oriented their docking mechanisms toward one another. Painstakingly, 186 moved closer. Then, high over the Ascension Island area in the South Atlantic, 186 slipped its pronged nose into a docking collar mounted on 188, linking the electrical circuits...

Author: /time Magazine | Title: Space: Coupling by Computer | 11/10/1967 | See Source »

...grand Charles was bothered by the barbs, he gave no sign. As far as he was concerned, the incident was ended, and at week's end, he went off to Colombey-les-Deux Eglises for a much needed rest...

Author: /time Magazine | Title: France: Always Like That | 8/11/1967 | See Source »

Joan Fuerstman's dark yet well-focused mezzo-soprano was the highlight of the evening. Besides the Poulenc she sang Ravel's Deux chansons hebraiques, which contrasts the rhapsodically set Hebrew poetry of the "Kaddish" with the simple Yiddish wisdom of "L'Enigme eternelle." She closed the program with a performance of the Siete Canciones populares Espanoles of Manuel de Falla. Both works date from 1914 and were perfectly suited to her expressive temperament. She performed them with an unostentatious professional polish that was pleasing to hear...

Author: By Robert G. Kopelson, AT KIRKLAND HOUSE FRIDAY NIGHT | Title: Twentieth Century Chamber Music | 5/23/1967 | See Source »

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