Word: deux
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Dates: during 1970-1979
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...initials stand for the first names of the Stuttgart's four leading principals - Richard Cragun, Birgit Keil, Marcia Haydée and Egon Madsen. In all justice, the title should include an H., for Heinz Clauss, who brilliantly partners Haydée in a soaringly romantic pas de deux...
Margot Fonteyn danced the pas de deux from Swan Lake while Isaac Stern played the violin. Van Cliburn knocked off a Hungarian rhapsody. Shirley Verrett brought down the house with Donizetti. Sol Hurok was celebrating his 60th year as an entrepreneur with a salute from his stars. The audience that packed the Metropolitan Opera House at up to $100 a ticket in tribute to the 85-year-old Russian immigrant was stellar too. In the crowd: Vanderbilts, Astors, Roosevelts, Whitneys, Cristina Ford, Jackie and Aristotle Onassis, and the Prince and Princess Alfonso de Borbon of Spain. A visitor to Hurok...
...endlessly inventive Petipa-styled variations. The other corps, as mock Magyars, stomped and whirled through a rousing czardas that looked as if it might have been borrowed from Russia's bouncy, folkish Moiseyev dancers. Hayden, naturally, was given a brace of queenly solo turns and a pas de deux with Favorite Partner Jacques d'Amboise calculated to accent her un obtrusively cool, legato manner...
GUND HALL: 7:00 Project Gasbuggy, 7:15 Newsparade of 1937, 7:25 Buster Keaton in Coney Island, 7:45 Gerald McBoing Boing, 7:55 Bambi Meets Godzilla, 8:00 Humphrey Bogart in Sahara, 9:37 This is War...? with the Marx Brothers, 9:47 Pas de Deux, 10:07 Gertie the Dinosaur, 10:07 Humphrey Bogart in Sahara...
...film consists of segments from four of the Royal Ballet's repertoire, each a pas de deux featuring Nureyev and ballerina. La Sylphide, with Carla Fracci and The Sleeping Beauty, with Lynn Seymour, are both classical works. Field Figures, with Deanne Bergsma, choreographed by Glen Tetley, is a modern ballet. And Marguerite and Armand, with Dame Margot Fonteyn, choreographed by Sir Frederick Ashton especially for the pair, is based on Dumas's story of Mme. Recamier, the courtesan immortalized by Garbo in Camille. Ashton calls his ballet an "evocation poetique," but it is more like sentimental prose. The other pieces...