Word: deux
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Dates: during 1990-1999
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While the show focused on unconventional pieces the traditional numbers had their own special spark. Mai'a Davis '99 and James Carmichael '01 gave an exquisite performance of the stressful Grand pas de deux from Don Quixote, a highlight of the first act, and the medley of familiar Gershwin tunes entitled "I Got Rhythm" simply shone, endearingly nostalgic...
...stunning. Kent's Juliet was extremely delicate and tender and her incredibly thin figure folded and melted around Graffin. Her shy and coy youthfulness came through in each lift and embrace. Kenneth MacMillan's choreography is one of the most passionate that I have seen for this pas de deux. While it included sweeping lifts and movements across the stage, the most moving moments came when the two dancers were kneeling together at center stage and Graffin lifted Juliet over his head while still kneeling on the ground, allowing her to hover over him before each embrace. The only draw...
...Black Swan pas de deux from Swan Lake was performed by principal dancer Paloma Herrera and soloist Giuseppe Picone. Traditionally a variation based upon technical strength and cool betrayal, the ballet did not disappoint the audience. Paloma is young, strong, has gorgeous feet and is technically superb. She does however have a certain stiffness in her dancing which should leave as she becomes more mature and gains more artistry. Her expression of haughty self-confidence was perfect for the role of the black swan. Her partner, soloist Giuseppe Picone, was also technically amazing. Both dancers had high and effortless jumps...
...highlight of the evening was Le Corsaire. It was not the choreography (which is rather dull) nor even the actual pas de deux (which was good), but the unmatched technical prowess and stunning bravado of principal dancer Angel Corella in his solo variations that left the audience in thunderous applause. Corella takes risks in his dancing and his boundless energy brings him to the realm of greatness. His technical ability is astounding, and it is matched by his charming enthusiasm as he flirts with the audience, making pirouettes look easy. His jumps were huge and effortless, achieving real height...
...Selya, and the three women, performed by Christine Dunham, Amanda McKerrow and Jennifer Alexander, acted the piece as if they had fallen through time to the 1940s. Their acting was witty, and funny and their dancing was lively, stylistic and included bouncy jumps, the rhumba and a pas de deux with bar stools. A thoroughly enjoyable ballet, Fancy Free was a perfect end to a perfect evening of ballet...