Word: deux
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Dates: during 1990-1999
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...prince. After a lovely interlude in a snowy forest, Clara and her nutcracker travel in a magic balloon to the Kingdom of Sweets, where they are greeted by the Sugar Plum Fairy and her Cavalier and regaled by an array of exotic divertissements, ending with a beautiful pas de deux by their hosts...
...fact, it's the smiling faces of the children that create the magic in Act One, as little girls clutch their Christmas dolls and mischievous boys pound on their drums and blow their horns, and Clara dances a pretty pas de deux with her godfather. The only element that detracts from the charm of the party scene is the extraneous and annoying presence of Drosselemeyer's nephew, who imitates his uncle's every move and gesture, down to the eyepatch. The magic, after all, is between Clara and Drosselmeyer; the nephew only gets in the way--especially...
...movie not quite as funny, but still worth 90 minutes of your life, is slightly more topical: Hot Shots, Part Deux. Like a "fast track" rally, it's full of ex-presidents, and snuck in among the groaners is a classic swordfight between a near-bionic Lloyd Bridges (as the current CIC) and the returning villain de la semana . . . mustachioed mad chemist Saddam Hussein. The best laughs in life are cheap...
...corps de ballet, while quite consistent in technique and cohesiveness, is forced to repeat the same patterns and steps throughout the entire ballet. The pas de deux in the balcony scene, though beautifully executed, lacks emotional resonance. It is immediately apparent when Pelzig felt at ease versus when he strained to create a moment or a scene. In the group dances featuring Romeo and his kinsman and friends Benvolio and Mercutio, the variations for the men are forced and shallow. It is only when the men are character-acting that the steps and movements become lively...
...well as perform ballet steps. As Cinderella, Larissa Ponomarenko embodies innocence and beauty in their most graceful forms. She maneuvers through intricate steps and pirouettes with great spirit and energy. Equally graceful is the Prince (Patrick Armand), whose powerful leaps and emotional style lift him above the one-dimensional deux-es-machina role that he usually plays in other versions. Both the Dancing Master (Robert Wallace) and the Fairy Godmother (Kyra Strasberg) perform their roles with grace and dignity. Each of the Four Seasons and Cavaliers also dance with a deft combination of stunning beauty and breath-taking strength...