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...movie not quite as funny, but still worth 90 minutes of your life, is slightly more topical: Hot Shots, Part Deux. Like a "fast track" rally, it's full of ex-presidents, and snuck in among the groaners is a classic swordfight between a near-bionic Lloyd Bridges (as the current CIC) and the returning villain de la semana . . . mustachioed mad chemist Saddam Hussein. The best laughs in life are cheap...

Author: /time Magazine | Title: Lower Potato Tariffs! | 11/7/1997 | See Source »

...corps de ballet, while quite consistent in technique and cohesiveness, is forced to repeat the same patterns and steps throughout the entire ballet. The pas de deux in the balcony scene, though beautifully executed, lacks emotional resonance. It is immediately apparent when Pelzig felt at ease versus when he strained to create a moment or a scene. In the group dances featuring Romeo and his kinsman and friends Benvolio and Mercutio, the variations for the men are forced and shallow. It is only when the men are character-acting that the steps and movements become lively...

Author: By Christiana Briggs, CONTRIBUTING WRITER | Title: Wherefore Art My Choreographer? | 10/24/1997 | See Source »

...well as perform ballet steps. As Cinderella, Larissa Ponomarenko embodies innocence and beauty in their most graceful forms. She maneuvers through intricate steps and pirouettes with great spirit and energy. Equally graceful is the Prince (Patrick Armand), whose powerful leaps and emotional style lift him above the one-dimensional deux-es-machina role that he usually plays in other versions. Both the Dancing Master (Robert Wallace) and the Fairy Godmother (Kyra Strasberg) perform their roles with grace and dignity. Each of the Four Seasons and Cavaliers also dance with a deft combination of stunning beauty and breath-taking strength...

Author: By Sarah A. Rodriguez, | Title: Something Doesn't Quite Fit | 5/9/1997 | See Source »

...heart of the Tchaikovsky score is the pas de deux in the lake scene, and it was for Bourne the biggest challenge. Not wanting to alienate some members of his audience by making it homosexual, he turned it into a dance for man and bird. The device works, but that won't completely eliminate the snide remarks about guys on pointe. Even so, this version soars on the surprise and exhilaration it engenders, and has received the recognition of last year's Olivier Award...

Author: /time Magazine | Title: DANCE: SWAN'S WAY | 4/28/1997 | See Source »

...Onegin's regret and sorrow in his portrayal of the character's painful moment of discovery. In the final scene, Tatiana is in her room reading a love letter from Onegin. He comes to see her, and once again they are swept up into a passionate pas de deux: clearly, Tatiana's feelings for Onegin were never completely crushed. The tortured feelings of love and despair are captured both by the climaxing score and by Cranko's choreography. Ponamarenko and Berdo complements the technical perfection of their steps with an intensity of emotion that draws the audience to a breaking...

Author: By Christiana Briggs, | Title: escape from social RHYME or REASON | 2/13/1997 | See Source »

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