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...movie parodies explode-o-matic thrillers and yet, unlike the Hot Shots! Part Deux school of pure movie lampoons, tries also to be an earnest explode- o-matic thriller. It is a very fine line. "Every moment of every day," says screenwriter Shane Black, of working on the script with his partner David Arnott, "we looked at each other and said, 'This isn't Naked Gun.' " Black, who wrote Lethal Weapon and The Last Boy Scout, says, "I hate action movies," but he also maintains that the new film is "a heartfelt example" of the genre. Sort of. For instance...

Author: /time Magazine | Title: Spectator: Are Beavis and Butt-head Arty? | 6/21/1993 | See Source »

...films by workshop filmmakers, a series of seminars and dinner at Adams House, which was suitably adorned with miniature French flags. On one occasion, several students at Adams House mistook the jeune Val*rie Stroh for a foreign exchange student. Stroh screened her most recent film, "Un homme et deux femmes" (1992) at the Film Archive on Friday night. After midnight each night, workshop participants and filmmakers retired to John Harvard's Brew House for conversation and libation...

Author: By Allan Piper, | Title: Filmmaking And Fraternit* On the Charles | 5/14/1993 | See Source »

...dance at the ball, the court jester's wild leaps and pirouettes, and two pas de deuxs between Prince and Cinderella punctuate the second and third Acts. In the ballroom dance, 12 couples richly dressed in deep crimson embroidered with gold, intricately and rhythmically weave through the space. The court jester, performed by Daniel Meja, captivated the audience with his surprising and sly movement, expressing through dance a complex wit. Lastly, Prince Charming, performed by Lazlo Berdo, penetrated the space with his deep chaussees and powerful tour jetes. Despite his technical expertise, his movements felt princely stiff, counterbalancing Cinderella...

Author: By Amanda S. Federman, | Title: Swept Away by the Boston Ballet | 4/22/1993 | See Source »

Holmes' version does regain its gusto by the final scene, when Kitri and Basilio marry after successfully foiling Gamache and Lorenzo. The townspeople join in the extravagant celebration with waving fans and clattering castanets, but the highlight of the finale is the grande pas de deux. Sevillano enchants Armand with her coquetishness and bedazzles the audience with her technical skill. She skips delicately across the stage en pointe, slices through the air with split-second leaps and performs multiple pirouettes and fouette turns with luscious ease. Armand tosses his head more sexily than ever while leaping in furious circles about...

Author: By Phoebe Cushman, | Title: Battling Windmills at the Wang | 2/18/1993 | See Source »

Their hesitant courtship becomes an exquisite pas de deux between Josette Day and Jean Marais. Cocteau was blessed to have two such accomplished actors playing the lead roles. Day, with her delicate cheekbones and tremulous lovliness, is radiant; the other-wordly image of Beauty in a dark cloak stays in one's memory for days. Marais is triumphant as the Beast. In Berard's makeup and ornate costumes, he displays a flair not present in any of his other performances. He looks at once noble and ridiculous, menacing and silly, and his resonant, incantatory voice is unforgettable...

Author: By Joel Villasenor-ruiz, | Title: Jean Cocteau's Fuzzy Valentine | 2/11/1993 | See Source »

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