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...just any gossip column, you protest. This is Ear. And you don't read it to nose into the lives of D. C. superstars. It's not the talk of Joe Califano and his rooster pepper sausage, or the Rafshooning of America, or the latest a' deux in that little Georgetown cafe that makes the Washington Star's Ear so popular. It's the style, the "jolly pariah" attitude as Ear's creator Diana McLellan describes herself, the fast-paced staccato prose and irreverent wit that draws Ear's following...

Author: By Amy B. Mclntosh, | Title: All Eyes and Ears | 12/11/1978 | See Source »

...ephemeral moment. Like the shapes in a dreaming mind, the dancers echo a single identity. All save the one man are dressed exactly alike in flowering tulle, and their interaction is a matter of motion, not of differing feelings. No sexual tension develops in the male-female pas de deux...

Author: By Jurretta J. Heckscher, | Title: The Classic and the Comic | 11/13/1978 | See Source »

...Camp Raffali in Corsica, officers and men of the Deuxèeme REP (Second Foreign Parachute Regiment) listened in silence to radio newscasts from Zaire. There was no sign of mourning when Foreign Legion casualties from their unit were announced, even though punishment squads of delinquent recruits were already digging graves in a military cemetery near the legion's paratroop base. "If they get you, they get you," said a veteran. "One legionnaire is worth 20 of the opposition...

Author: /time Magazine | Title: World: The Foreign Legion Fights Again | 6/5/1978 | See Source »

Onstage, Misha and Gelsey were magic from the start. A trial-run pas de deux from Don Quixote dazzled audiences in Winnipeg and later in Washington. Offstage, a love affair flared up between them, along with much professional bickering. Against a common background of rigorous classical training, Baryshnikov relied on instinct, Gelsey on analysis. Rehearsals became long and exasperating. They argued about the meaning of different positions. He: "It's arabesque, it's position." She: "No, it can be different in every ballet." There was also some competitive brain-picking. Gelsey sought the secrets of the Kirov's impeccable style...

Author: /time Magazine | Title: Dance: U.S. Ballet Soars | 5/1/1978 | See Source »

...into ballet. Coaxed by a third-grade classmate into a tap class, he found he could not keep his balance; his father, a Vermont meat-packing company owner, suggested that he try ballet as a remedy. Even after achieving success in showpieces like Balanchine's Tchaikovsky Pas de Deux, McKenzie is modest: "If I had to compare myself to Baryshnikov, I'd give up and take up carpentry." But not too modest. His aim? "To become the next Kevin McKenzie...

Author: /time Magazine | Title: Dance: Others at the Turning Point | 5/1/1978 | See Source »

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