Word: deux
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...Everyone who has seen Balanchine recognizes his chain of dancers weaving in and out and around each other," says Anastos. "So why not do a chain where someone gets stuck right in the middle and can't get out?" In the dazzling finale of the Corsaire pas de deux, Bassae/Karpova completes all the pirouettes and whipping one-leg turns in the traditional ver sion, then hurls his chunky body through the air and alights on his partner's shoulder in the classic manner. Most of the Trock dancers take class daily, some, like Antony Bassae who has performed...
...strength and dynamism of these dancers' stage personalities. Bare to the waist and clad only in white tights, Baryshnikov offered a tortured Hamlet rather than a brooding one, all quicksilver passion. Kirkland's Ophelia was an innocent, ethereal waif - bruised and bewildered. In a pas de deux with Baryshnikov, their bodies seemed perfectly attuned, suggesting that incandescent union of talents and temperaments they have displayed as partners in better works. Bruhn's Claudius was a cold, imperious, lecherous king. It is to Neumeier's credit that his choreography asks Bruhn to do more demanding dancing than...
...tender portrayal of the Swan Queen, and the audience gave her nearly 20 minutes of cheers and bravas. For those in search of novelty, there was a first look at a potentially exciting new partnership. Gelsey Kirkland was dancing, for the first time ever, in a showy pas de deux from Le Corsaire, with that ubiquitous guest artist Rudolf Nureyev. All smoldering fire, Nureyev and the ethereal Gelsey, a lass with a very delicate air indeed, looked well together, and the audience loved them...
Swirling Sequence. At the gala, he appeared twice, the first time in the Don Quixote pas de deux with Noella Pontois, a soubrette-style dancer from the Paris Opéra Ballet. After one swirling sequence of pantherlike turns, he landed - not just on one knee as most dancers would, but on one knee with the other leg fully extended. It was a daring variant on a familiar bit of acrobatics, since Baryshnikov is quite likely to break an ankle if his timing is a split second...
...what dancing there is! Just as there is grand opera, there is also grand ballet-unfettered by logic, celebrating showmanship and dazzle for their own sake. There were a few opening-night technical mishaps, but Nureyev's Raymonda is so studded with spectacular solos, pas de deux, pas de trois, pas de quatres, stylistic evocations of folk dance and rousing ensemble displays that it is rather like a 19-course meal devised by an overeager master chef. There are almost too many delights to absorb. One of them, certainly, is a revitalized Erik Bruhn, who brings to the secondary...