Word: development
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Dates: during 1950-1959
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...potential to be another Rittenburg. Cohen is a coach's Joy, for he is an incomparable hurdler, as well as an excellent broad Jumper and dash man. He has tried his hand at high Jumping, although with not too much success yet, but with practice, he can develop...
...series of woodcuts and engravings from the 15th and 16th centuries. Germany was barely touched by the Renaissance sun that burned in the south. In contrast to the freedom of the Italian artists, the Germans were still rigidly bound by the guild system. More important, they continued to develop the Northern, Medieval traditions, sloof to the revolution that had taken place across the Alps...
...been more thorough, so that it was able to absorb the classical past more easily through the intermediary of Italian Quatrocento art than by reference to classical forms themselves. The result was a new style rather than merely a duplicate of the old, a style that continued to develop Northern characteristics. This is shown by the Coat of Arms of the German Empire and City of Nuremberg, done by Durer in 1521. Following the classical example the figures are worked out with regard to proportion and anatomical exactness, yet they are unmistakably teutonic. In his treatment of St. Jerome...
...here I am lord, at home a parasite." The world of Nuremberg to which he returned with reticence is revealed in a series of woodcuts and engravings from the 15th and 16th centuries. The Germans were untouched by the Renaissance sun that burned in the South; they continued to develop the northern, medieval traditions, aloof to the the revolution that had taken place across the Alps...
...been more thorough, so that it was able to absorb the classical past more easily through the intermediary of Italian Quatrocento art than by reference to classical forms themselves. The result was a new style rather than merely a duplicate of the old; and a style that continued to develop Northern characteristics. Examples of this are the Coat of Arms of the German Empire and City of Nuremberg, done by Durer in 1521. Following the classical example, the figures are worked out with regard to proportion and anatomical exactness, yet they are unmistakably Teutonic. In his treatment of St. Jerome...