Word: devies
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...antique urn that he bought for a gift, he has uncorked a fat green djinni, waiting to get out and wield magic. Randall's djinni happens to be Burl Ives, who complicates a routine romantic farce by conjuring up slaves, seneschals, dromedaries, elephants, a shapely blue djinniyeh (Kamala Devi) and a tonic belly dancer (LuLu Porter). Soon, of course, Randall has to explain all the whimsical phenomena to his fiancée, Barbara Eden. This chore convinces him that nothing that comes out of the Bottle is worth what goes into it. He's quite right too. Audiences...
SOUTHEAST ASIA The Prince & the Dragon (See Cover) It was a great party. After the French champagne and the Viennese waltzes came Bopha Devi, prima ballerina of the Royal Cambodian Ballet. Sinuous and shimmering, dressed in green and gold, she danced a ritual dance in bare feet. When she accidentally dropped her ring, a woman servant slithered across the parquet floor on her belly to pick it up lest Bopha bruise herself...
...beginning of Devi (The Goddess), the attractive young girl Donamayee teases a pet bird and is teased in turn by her husband. Then, suddenly revealed as a incarnation of the Mother Goddess, she finds herself worshipped by her family, adored by crowds of pilgrims. She sits enthroned in an incense-clouded temple; priests chant and bells clang...
...Daughters. The magic of India's Satyajit Ray, who directed the Apu trilogy and Devi, lies in his ability to translate the life around him into such universal terms that Western audiences see his India not as a gold-embroidered slum peopled with mystics and mendicants but as an identifiable place where ordinary humans go about their ordinary lives. Two Daughters, a two-part film based on short stories by Rabindranath Tagore, is so filled with the basic stuff of humanity that with minor changes of script it could have been made in rural Louisiana...
...people in Devi (The Goddess) seem almost like temple carvings come to life before Ray's camera. A rich and deeply religious old patriarch dreams that his 17-year-old daughter-in-law (Sharmila Tagore) is an incarnation of a goddess. The girl, eager to please, allows herself to be decked out in flowers and jewels, to be ensconced in an altar outside her father-in-law's house where streams of peasants and holy men come to make obeisance. When a beggar's sick grandson recovers in her presence, the event is hailed as a miracle...