Word: devilã
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...play.”Although the Crimson outshot and outscored its opponents, this offensive advantage was not always obvious.Duke began the game coming onto the field with engines firing, and recorded an early 11:56 goal in the first quarter.Harvard would have to wait for revenge against the Devil??s lone score—but when it responded it did so with a vengeance. The Crimson, led by its new freshman star, recorded three unanswered tallies in the second quarter.Cohen began the Crimson’s scoring spree at 11:09, finding the net with an assist from...
...process of cleaning up this Dartmouth-frat-house of a shit-show.Those of you who haven’t been in a coma probably are aware that Barack Obama has a pretty good chance of winning (knock on wood), but I want to take a moment to be the devil??s advocate (no conservative pun intended) and imagine the opposite scenario. More specifically, I want to take this chance to reassure all of America’s artists that a McCain-Palin administration wouldn’t be the end of the world for their work. Please keep reading.The...
...Palestinian Arabs—and ascribed that misery to the “oppressor Jews” in a more perfect moral inversion than any literary Satan ever proposed. Postmodernism adores moral inversions, which may be why some Harvard professors have so eagerly joined the “devil??s party.” But let’s not get ahead of ourselves: Look again at the full-scale map. Keep it always within reach and often within sight. Don’t let any course or discussion of the Middle East proceed except in its presence...
...conflict. Comprised of factual and fictional films, it includes dramatic renderings of the civil war, such as “Pan’s Labyrinth” director Guillermo del Toro’s “El Espinazo del Diablo” (“The Devil??s Backbone”) as well as documentaries such as “El Perro Negro: Stories from the Spanish Civil War” and “The Good Fight.” On March 13, The Crimson sat down with Professor of Romance Languages and Literature Bradley...
...Pulitzer Prize-winning oratorio, explored the history of slavery and his 1999 chamber work “A Fiddler’s Tale” leveled biting sarcasm at musicians who “sell their soul” to the corporate “devil?? that is the music industry. But none of this history can prepare listeners for the vicious social and political criticism of “From the Plantation to the Penitentiary.” In addition to the misogyny of the hip-hop culture, Marsalis’ targets include racism, the hypocrisy...