Word: devil
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Dates: during 1950-1959
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...American clippers may be surprised to find that the Germans produced not only the greatest ships but some of the greatest captains as well. To Villiers, once a skipper in sail himself and not easily given to hero worship, the giant of them all was Robert Hilgendorf, the "Devil of Hamburg." No one ever equaled his skill at rounding the Horn, and there were plenty of sailing men who believed that he could control the winds with black magic. Hilgendorf himself did not care to press his skill; he quit at an early 50 to take a soft job ashore...
Once praised as "the finest film ever banned by the Legion of Decency," Devil in the Flesh deserves superlatives in better company, One of the most moving films ever made, it evokes a memorable illusion--the viewer leaves the theatre convinced he has intimately shared the emotional experience pictured in the film...
...Devil in the Flesh owes much of its power as well to the direction of Claude Autan-Lara, which heightens the drama of the tale without sacrificing its subtlety. Even in contrasting the joy of the Armistice with the pathos of the young woman's death, the film skirts mawkishness and makes the bereavement of the lover more deeply felt. But above all, the intensity of Devil in the Flesh is due to the performances of Gerard Philipe and Micheline Presle. Every expression and intonation is eloquent if the anguish of a boy struggling to cope with...
...audience glittered, for San Francisco takes first nights with silk-and-sable seriousness. But the best show was onstage. The Devil (Italian Basso Nicola Rossi-Lemeni) was gusty enough to shake the chandeliers. Visiting Met Stars Licia Albanese and Jan Peerce (as Marguerite and Faust) brought down the house with their prison scene. Nonetheless, there was a sense of melancholy on both sides of the footlights: General Director Gaetano Merola, the man who founded the company 30 years ago and built it to second rank in the U.S. (after the Met), had died two weeks before the opening (TIME, Sept...
...floor prototype at Marseille, placing 1,500 people on a 450-by-66-ft. plot). The alternative, says the Economist, is the sprawling suburb, "the village green multiplied by unplanned expansion" that all too easily turns into an "amorphous and soulless mess ... the suburb which, proverbially, the Devil made." But Le Corbusier's solution, a hangover from the "walled stronghold and the cave-settlement," can be even more diabolic. It has advantages: e.g., it reduces commuting distance to the city, makes such amenities as washing machines and parks cheaper because they are used by more people. But, "no expanse...