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Word: devil (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...WHITE DEVIL. The decisive motion of John Webster's bloody tragedy is a plunging dagger, but the determining mood is an obsessive sense of evil. In this revival, an authoritative cast headed by Frank Langella and Carrie Nye propels the play with a controlled drive and fury...

Author: /time Magazine | Title: On Broadway: Jan. 7, 1966 | 1/7/1966 | See Source »

...BEGGAR, by F. M. Esfandiary. The injustice of justice and the crime of punishment are shrewdly displayed in this fiercely ironical parable, composed by an Iranian-in-exile, that demonstrates how the devil takes the hindmost when men play...

Author: /time Magazine | Title: Television: Dec. 31, 1965 | 12/31/1965 | See Source »

Contrary to the Marxists and the socialists, Keynes opposed government ownership of industry and fought those centralists who would plan everything ("They wish to serve not God but the devil"). While he called for conscious and calculated state intervention, he argued just as passionately that the government had no right to tamper with individual freedoms to choose or change jobs, to buy or sell goods, or to earn respectable profits. He had tremendous faith that private men could change, improve and expand capitalism...

Author: /time Magazine | Title: The Economy: We Are All Keynesians Now | 12/31/1965 | See Source »

...White Devil, by John Webster. It was Shakespeare's destiny to dwarf his playwriting contemporaries, which by no means makes them dwarfs. Webster, best known for The Duchess of Malfi, was a splendid poet who mixed beauty with horror. If he spilled too much blood on stage, he also drenched the boards with passion. The decisive motion in The White Devil is a plunging dagger, but its determining mood is an obsessive sense of evil. In an admirable off-Broadway revival in modern dress, the play leaps the centuries with ease-it is galvanically alive...

Author: /time Magazine | Title: Theater: Skull Beneath the Skin | 12/17/1965 | See Source »

...White Devil, evil wears its proper guise, disguise-and deceit. The sinister masquerades as the pious. Murderers dress as monks. Treachery promotes itself as loyalty. Love is feigned, so is madness, even death. The last deceit-self-deceit-is stripped away in Flamineo's final speech when he sees life as he has lived it: the consummate cheat, the ultimate vanity, the supreme counterfeit. At that moment, The White Devil becomes a tragedy of more than blood...

Author: /time Magazine | Title: Theater: Skull Beneath the Skin | 12/17/1965 | See Source »

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