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CENTRAL CINEMA I King of Hearts 6:30 9:45, Weekend mat. 3:10 Devil by the Tail...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 4/22/2004 | See Source »

...success. Its greatness as a play as well as the freshness and pertinence of what it had to say made it instantly popular, and it was subsequently performed every year on the steps of the Cathedral at Salzburg as a sort of dramatic-religious festival. Although God, Death, the Devil and a host of other abstractions put in their physical appearance, it is more than a mere translation of the English 16th century original "Everyman." Hoffmannsthal has taken the bare outline of the old play, and molded it into a work not only dramatically satisfying, but also sincerely effective...

Author: By R. S. F., | Title: PLAYGOER | 4/22/2004 | See Source »

Boston’s Devil Music Ensemble will provide a live performance of their original score to accompany this influential German Expressionist horror film. The silent classic is known for its shocking visual style, recounting the tale of the mad Dr. Caligari, whose carnival sideshow features a somnambulist with vivid visions of the future. The story takes on a darker tone when a series of murders is found to coincide with the prophet’s predictions. Featuring a variety of instruments including lap steel guitar, vibraphone, and percussion, The Devil Music Ensemble has toured around the country with their...

Author: NO WRITER ATTRIBUTED | Title: Happening | 4/16/2004 | See Source »

Eric Clapton takes a ride into Mississippi delta country in his new release, revisiting the juncture of Highways 61 and 49—the crossroads where they say the king of all bluesmen, the legendary Robert Johnson, sold his soul to the devil for musical genius. Even the most bulletproof rock icon was once just another wide-eyed fanboy, and Clapton has made no secret of his lifelong devotion to Johnson, whose fingerprints have been indelibly burned into nearly every one of Clapton’s efforts. Me and Mr. Johnson marks the consummation of this...

Author: By Akash Goel, William B. Higgins, Nathaniel A. Smith, and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: New Music | 4/16/2004 | See Source »

Anselm too read the New Testament lines calling Christ's death a ransom, but he could not believe that the devil was owed anything. So he restructured the cosmic debt. It was, he posed, humanity that owed God the Father a ransom of "satisfaction" (to use Anselm's feudal terminology) for the insult of sin. The problem was that the debt was unpayable: not only did we lack the means, since everything we had of value was God's to begin with, but also we lacked the standing, like a lowly serf helpless to erase an injury to a great...

Author: /time Magazine | Title: Religion: Why Did Jesus Die? | 4/12/2004 | See Source »

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