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Side Two consists of two thoughtfully reworked Mingus standards and a poignant new ballad that surely ranks among his best. "Devil Woman" was first recorded in 1961; it is basically a slow blues, but this arrangement takes so many unexpected rhythmic turns that the performance required the composer's help in counting off the choruses. Guitarist Larry Coryell shines among the soloists, reaching way back into blues history for a solo that matches the spirit of the piece. "Wednesday Night Prayer Meeting" goes back to 1959, when Mingus recorded it on his Blues and Roots album. This arrangement begins...

Author: By Paul Davison, | Title: Welcome Back, Charles | 3/7/1979 | See Source »

...were to paint a picture of the devil, I would use the eyes of Ayatullah Khomeini. They are cold, calculating, cruel, cunning, void of love and honor. I'll take a big toothy smile any day to this man's hard expressionless stare...

Author: /time Magazine | Title: Letters, Mar. 5, 1979 | 3/5/1979 | See Source »

Last weekend at Carpenter Center the devil spit the universe out of his mouth and laughed. A sign of recognition went up from the audience: Ah, another origin-of-the-universe cartoon." It was an Italian movie, FantaBiblical, good news for post-Sputnik man, the fallen Catholic's Chariot of the Gods, the ten commandments as the fallout of a mid-space collision. Nothing is sacred; everything is permitted...

Author: By Jean A. Riesman, | Title: As Kingfishers Catch Fire, Dragonflies Draw Flame | 2/22/1979 | See Source »

...universe out of the mouth of a babe or a devil is no shock to anyone familiar with the metamorphoses of animation, where anything you can draw is true. Any effect can follow from any cause, and we accept those vibrating colors and lines as alive. Who needs Disney? The colors don't have to be solid or stay inside the black lines. We'll believe...

Author: By Jean A. Riesman, | Title: As Kingfishers Catch Fire, Dragonflies Draw Flame | 2/22/1979 | See Source »

...rest of the album succeeds fairly well, just some pretty good rock and roll without attempts at transcendence. "Annalisa," about a girl in Germany whose parents starved her to death to exorcise the devil, moves as forcefully as some of the lesser Bollocks numbers. "Lowlife," a slam at former manager MacLaren, and "Attack," another standard rocker, are at least not bad. And "Public Image," which Simon Frith of Melody Maker called "the best non-disco 45 of the year," might be just that, although there's always the Stones' "Shattered...

Author: By Paul A. Attanasio, | Title: The Rotten Image | 2/21/1979 | See Source »

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