Word: deviled
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Dates: during 1960-1969
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...Devil by the Tail, as in his previous films, the French director bends the truth but never quite breaks it, and makes sure that even during its wildest moments his comedy keeps a straight face...
...years, Montand has been living two lives. Onstage he is a singer of romantic ballads and risque street songs. Onscreen, in such films as La Guerre Est Finie and Live for Life, he is as grim and bitter as Humphrey Bogart. In The Devil by the Tail, he takes his stage personality out of the trunk and refurbishes it with a series of warm interludes and witty tongue-in-cheek pantomimes. As the marquise's daughter, Maria Schell also alters her usually grim image with a comically erotic performance and an exuberantly uplifted bosom...
...mortality by separating the indestructible spirit from the bone and gristle of being. Such factors, he believes, separate man from natural pride in his fleshly individuality, humbling him and cutting him off from his true spiritual condition-what Harrington calls a "state of Permanent Revolution against Imaginary Gods." The Devil, it follows, far from being the embodiment of evil, is man's healthiest prototypical projection of his own radical intention to challenge the gods-in fact, to become God. All humbling conceptions of man's relationship to the unknown, the author insists, are bad. Even the Hindu...
...1860s, some 6,000 Shakers were living in 18 communities scattered from New England to Indiana. Today the sect is virtually extinct, since Mother Ann regarded sex as a device of the devil and Shaker "brothers" and "sisters" lived in separate dormitories. Their only mutual recreation was prayer meetings, at which they sang hymns and "shook" together in frenzied dances that must have looked like Saturday night at the Electric Circus...
Hell on Earth. Penderecki based The Devils of Loudun on both Aldous Huxley's historical essay and John Whiting's play The Devils. The libretto sketches the facts surrounding the torture and execution of a Jesuit priest in a 17th century French provincial town. Sister Jeanne of the Angels, prioress of St. Ursula's Convent, asks Father Urbain Grandier (sung by Baritone Andre Hiolski) to become the cloister's confessor. When the worldly, sensual priest declines the offer, Sister Jeanne has a series of hysterical sexual hallucinations that soon infect other nuns in the convent. Eventually...