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Word: deviled (lookup in dictionary) (lookup stats)
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...senses that she would really like to cut a good deal deeper. Why does she restrain herself? She has image, language, an actor's sympathy that lets her inhabit as well as observe characters. If she had fully released her rage, this impish novel could have been a devil of a book...

Author: /time Magazine | Title: Books: Disorder and Early Sorrow | 12/6/1971 | See Source »

Kalem's search for thoroughbreds started while he was growing up in Maiden, Mass. His Greek parents, Protestant fundamentalists from Asia Minor, called the stage "an instrument of the devil." This attitude naturally created a forbidden-fruit temptation, and young Ted sneaked bites at every opportunity. But it was to be a long road to his permanent aisle seat. At Harvard he majored in sociology, graduating cum laude. During World War II he won a Bronze Star in the Pacific. At the Christian Science Monitor he reviewed books, an occupation he followed during his first ten years at TIME...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 29, 1971 | 11/29/1971 | See Source »

...devil himself, or at least in league with him. He looked like Ichabod Crane done up as Mephistopheles, allegedly spent more time in illicit beds than in his own, was a fabulous showman and died, denying nothing, at 57. Not even Don Juan had such high-powered publicity-but then Don Juan couldn't play the fiddle...

Author: /time Magazine | Title: Music: Lucifericm Legacy | 11/29/1971 | See Source »

...have seemed more to it when Paganini played it. "The work," he says, "makes me feel like I'm jetting from heaven to hell at incredible speed." It must be reported, however, that when he performed it in public recently at London's Royal Festival Hall, the devil did not appear beside...

Author: /time Magazine | Title: Music: Lucifericm Legacy | 11/29/1971 | See Source »

Shakespeare probably intended Iago to be a kind of human devil in this play, but Ralph Pachoda's Iago, at times running away with the show, stretches his role almost into that of a Miltonic Satan, a villain so persistent in his rebellion, so singleminded in his misconceived passion for revenge, that he steals part of our sympathy almost against our will. He is so capable a man that we sympathize with him over his lack of promotion--and wonder why he isn't able to engineer his own advancement, rather than others deaths. If he hadn't managed...

Author: By Bill Beckett, | Title: Othello | 11/13/1971 | See Source »

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