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...savage crossfire of bricks, bottles and tear gas. Allen, a progressive, moderate official who is as protective of Negro rights as he is of Atlanta's reputation, mounted a police car to plead for reason. But no one, it appeared, cared to listen much. Amid cries of "White devil!", the rioters shook the mayor off his perch. Undaunted, Allen waded into the mob, spent the next few hours trying to calm the rioters. By the time they finally dispersed, 16 persons had been injured and 73 were under arrest...

Author: /time Magazine | Title: Atlanta: Stokely's Spark | 9/16/1966 | See Source »

Thursday, September 1 CBS THURSDAY NIGHT MOVIE (CBS, 9-11 p.m.). * Spencer Tracy and Frank Sinatra in familiar roles: the former a priest, the latter a criminal in The Devil at Four 0'Clock (1961), an adventure on a Pacific island...

Author: /time Magazine | Title: Television: Sep. 2, 1966 | 9/2/1966 | See Source »

Also rehearsing is The Apple Tree, the first musical directed by Mike Nichols; it is a triple bill loosely lifted from the writings of Mark Twain, Frank Stockton and Cartoonist Jules Feiffer. The unifying forces are the theme "man, woman and the devil," and score and lyrics by Jerry Bock and Sheldon Harnick, who did Fiddler on the Roof. A final derivative musical is Cabaret, which in earlier incarnations was Christopher Isherwood's The Berlin Stories and the John van Druten drama I Am a Camera. With Jill Haworth in the old Julie Harris role, it is already...

Author: /time Magazine | Title: Broadway: Remember September | 9/2/1966 | See Source »

...things straight about "Mayhem on Motorcycles" [July 29]. Society is more concerned with eliminating motorcycles than with eliminating the real cause of the problem, the Average Joe Driver, who never sees anything smaller than a Chrysler and blithely turns left in front of motorcycles with a devil-may-care attitude engendered by the two tons of steel between him and that 300-lb. bike...

Author: /time Magazine | Title: Letters: Aug. 12, 1966 | 8/12/1966 | See Source »

...confounds philosophers, has disciples and enemies, is tempted by power and false worship. At one stage, he denies (or asserts) himself: "I'm no Enoch Enoch [God]. I've got as much Billygoat as Graduate [Christ]. And as much as the Dean o' Flunks [the devil] or anyone else." While Barth seems to be crudely baiting religion, he is actually enunciating his concern with the theological conception of the hypostatic nature of Christ-that Christ was both fully human and fully divine. Goat-Boy's Vergil on his pilgrimage is Stoker, a cynical beast of burden...

Author: /time Magazine | Title: Books: Black Bible | 8/5/1966 | See Source »

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