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...lately become familiar with the accounts of some users who report dazzling states of heightened awareness or mystical experiences worthy of St. Teresa of Avila; others claim insights that have changed their lives. In John Mersey's latest novel, Too Far to Walk, the Devil feeds Faustus LSD ("The closest equivalent to infinity in sheer living"). There have also been stories of "bad trips"-writhing nightmares that end in the nearest psychiatric ward. Occasionally LSD is a one-way trip. Since the recent flood of sensational publicity about LSD has let up somewhat, it is possible to assess...

Author: /time Magazine | Title: Essay: LSD | 6/17/1966 | See Source »

...stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black...

Author: /time Magazine | Title: Books: The Blood Jet Is Poetry | 6/10/1966 | See Source »

...book contains fifteen public speeches which demonstrate conclusively how bad a public speaker Faulkner was. I am convinced that the girls in the graduating class of Pine Manor J.C. in 1953 can scarcely recall today Faulkner's extended metaphysical diatribe on God and the Devil. Aside from his widely-celebrated speech upon acceptance of the Nobel Prize and his speeches at the University of Virginia (already collected in Faulkner in the University), the speeches are too brief and dull for publication...

Author: By Daniel J. Singal, | Title: Poor Faulkner: This Collection Shouldn't Have Been Collected | 5/12/1966 | See Source »

Enough Rope. In a proper French suspense thriller, the question is less likely to be whodunit than who'll-be-undone-by-it. Here, nearly every member of a fine, worried cast is slowly undone when Veteran Director Claude Autant-Lara (Devil in the Flesh) begins to philosophize on film about the complex, overlapping nature of guilt. Putting the squeeze on a crafty plot from a novel by Patricia Highsmith (Strangers on a Train), Autant-Lara seemingly distills a number of small, disturbing revelations and holds each one up to the light, testing for color, clarity and body...

Author: /time Magazine | Title: Cinema: Cine-criminology | 5/6/1966 | See Source »

Overreliance on confessions has troubled common-law countries ever since the rise of police forces in the mid-19th century. The drafters of the 1872 India Evidence Act put the problem succinctly: "It is far pleasanter to sit comfortably in the shade rubbing pepper into a poor devil's eyes than to go about in the sun hunting up evidence." Under the Evidence Act, all Indian confessions are inadmissible unless made "in the immediate presence of a magistrate" who has first warned the accused that he need not speak and that anything he does say may be held against...

Author: /time Magazine | Title: Criminal Justice: Concern About Confessions | 4/29/1966 | See Source »

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