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BUSINESS: Devilish Derivatives...

Author: /time Magazine | Title: Magazine Contents Page | 10/10/1994 | See Source »

...exchange is typical of these two partners, who in many ways are opposites. Ray is tough and outspoken and has a growling, devilish singing voice. Saliers is quiet and reflective, and her vocals are high and angelic. Ray says she's influenced by punk bands like the Sex Pistols; Saliers prefers Joni Mitchell. The two never write songs together, and for weeks at a time they drift apart to their separate circle of friends. But something connects them. The children of professional parents, both are 30, Atlanta natives and graduates of Emory University. They have known each other...

Author: /time Magazine | Title: MUSIC: Indigo Girls: The Power of Two | 6/27/1994 | See Source »

...exchange is typical of these two partners, who in many ways are opposites. Ray is tough and outspoken and has a growling, devilish singing voice. Saliers is quiet and reflective, and her vocals are high and angelic. Ray says she's influenced by punk bands like the Sex Pistols; Saliers prefers Joni Mitchell. The two never write songs together, and for weeks at a time they drift apart to their separate circles of friends. But something connects them. The children of professional parents, both are 30, Atlanta natives and graduates of Emory University. They have known each other...

Author: /time Magazine | Title: MUSIC: The Power of Two | 5/23/1994 | See Source »

Rising notably above the production in terms of subtlety and humor is Winsome Brown as Lysistrata. The role of Lysistrata is particularly difficult since she is at the center of intrigue, and appears in almost every scene. Maintainig a devilish smirk and unflagging energy throughout the play, Brown sustains rapport with the audience. She effectively coordinates the sub-plots of the characters on stage, as well as creating a complex, witty personality for herself...

Author: By Edith Replogle, | Title: Lysistrata Literally Out of Sight | 3/24/1994 | See Source »

...found myself still eagerly grasping for a sense of what Cruise was like as a kid. What was that guy in the Jockeys all about anyway? He had no comment about his family's view on his devilish craftiness. Instead, he cited "Legend" as one of the more profound of his early acting experiences. (No, I had never heard of that movie, either.) He especially enjoyed the element of escapism and liked the idea of being able to create a character in a fantastic situation beyond the everyday life of teenagerdom...

Author: By Deborah E. Kopald, | Title: All Life Is a Boat, And Tom's Cruisin' | 3/3/1994 | See Source »

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