Word: devilishe
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...settle in for a weekend of en memoriam turkey sandwiches, go ironic with Eraserhead (1976). Arm-stabbing, elevator humor and the best hair in independent cinema, all birthed, fully formed in black-and-white, from David Lynch?s devilish little brain. Some scenes inappropriate for young carnivores...
...magenta light shone out between red velvet curtains. It and the musical prelude could have gone on for three hours, and I would not have missed the opera. Three violins and a phat viola fiddled while Nero was ostensibly still in the dressing room. They made up the feisty, devilish flank of the Early Music Society Orchestra, balanced by a quietly attentive harp and two awfully long lutes (allegedly a "chitarrone" and a "theorbo") on the right, with two harpsichords rammed together in the middle like poorly parked flagships...
Part of what makes this development so compelling is the very effective performance of Natasha Gregson Wagner as Sissel. She brings a wonderfully devilish aspect to her character when she wishes to warm up to Joey, a quality that is polite and playful at the same time it is slyly calculated. And possibly even better is her withdrawal, acted with a cool removal and detachment from her surroundings that translates both mentally and emotionally. Giovanni Ribisi is good as the young Joey, but probably more so because of Peretz's and Ryan's adaptation of the story than anything else...
...nasty ones, a hurricane sky from one simply overcast. But a novel kind of darkness has come over Florida, and there is no hurricane in sight. What do you do when you're ready for rain and all that comes down is ash, falling like snow but dark and devilish and warm, from a heaven angry with smoke? Run, or get ready to be burned on the Fourth of July...
...size silhouettes staged in a dream-like setting that ranges from rural plantations to stylized gardens. The images of the exhibit move like a dream, occasionally implying a broken chronology, or continuing a narrative through head gestures of the silhouettes. Many of Walker's images combine stereotypes of the devilish, animalistic black American with allusions to the folklore of the "happy darky" who entertains whites and enjoys subservience. The result: the exhibit achieves, in Walker's words, a "reinactment [sic] of history in the arena of desire." The id of America is exposed...