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...shock has worn off, but the reality of what has happened is finally sinking in. Warsaw has been transformed from one of the liveliest cities in Europe to one of the dullest and most depressing. The theaters are closed, the cafés usually empty and the streets practically devoid of traffic after dark. But worse than these obvious signs is the apparent death of the spirit. Poland is a nation of individuals. The most ordinary worker wears his cap just so and has his own look. Now, when you walk through Warsaw, the people somehow seem faceless...

Author: /time Magazine | Title: The Spirit Still Glows | 1/18/1982 | See Source »

...cast lose control over it. Confronted with the need to establish real contact between characters, create atmosphere, or sustain a joke beyond its original gag, nearly all the leading actors falter. In an early courting scene LaVergne and Jamerson stand together uncomfortably, tossing ambiguous comments back and forth, devoid of mood or any apparent emotional contact. Later the ecstatic Lutiebelle launches into "I Got Love," a song affirming her brand-new confidence, without having evinced even the subtlest change in bearing...

Author: By Amy E. Schwartz, | Title: Purlie's Paltry Persuasion | 12/10/1981 | See Source »

...government could afford to feed students the lunch on the cover [Oct. 12]. Fresh lettuce and tomato on a thick hamburger on a toasted bun on a shiny china plate on a tray devoid of graffiti simply do not exist in a school cafeteria...

Author: /time Magazine | Title: Letters: Nov. 2, 1981 | 11/2/1981 | See Source »

...While the set should be merely suggested, minimal and stripped of reality, the props must be realistic and literal. This idea, inherent to the epic, becomes curiously reversed in Brooks' design. The sets strive for realistic representation, as in Newgate prison. Props, on the other hand, crowd the production, devoid of social significance. What, for example, is the purpose of the toilet so prominently displayed in Macheath's cell, but to elicit a weak laugh when he sits on it, saying, "One must live well to know what living is." Why must a bed, clearly relevent to Macheath's character...

Author: NO WRITER ATTRIBUTED | Title: A Beggar's Banquet | 10/27/1981 | See Source »

Along the way, Georgakas arrives at four general recommendations to increase one's lifespan. These include strict exercise regimens marked by rhythmic walking; diets with little meat and few additives; a stressless temperament devoid of vast emotional peaks and valleys; and avoidance of the environmental hazards he so bitterly criticizes...

Author: By Paul A. Engelmayer, | Title: Life in the Long Lane | 7/17/1981 | See Source »

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