Word: devout
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Dates: during 1990-1999
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...holiest--and least respected--precepts. "Truth," he preached, "is God," but he could never persuade India's warring religious sects to agree. His spiritual mentors were just as broad--Jesus, Buddha, Socrates, his mother. Gandhi later said his formative childhood impression was of her "saintliness" and her devout asceticism infused his soul. The family's brand of Hinduism schooled him in the sacredness of all God's creatures...
...stop at a gathering of 20 or so, mostly young men, some in uniform. One gets in, followed by a woman, running--she's just jumped out of another car and into ours. Her name is Maela and, like the vast majority of Cuban women, Maela is a devout spandex enthusiast. She's in a black-and-white bodysuit, bisected with belt, and she's laughing like mad at her car-to-car coup, the soldiers tossing her a wide variety of obscene gestures as we drive away. The soldier we've got is named Jordan; he's doing...
Precious few students take ideas so seriously; those who do tend to be either devout Christians struggling within a Fallen world or social justice zealots roused to a frothing fervor by mistreated proletarians in faraway lands. Students are politically apathetic, we're told by countless pundits who 30 years ago proved conclusively the virtues of the same apathy they now decry. But political apathy isn't as much the problem as is intellectual lethargy--a much more troubling ailment in which so many Core courses are complicit...
...clinic, that there was a 13th Apostle who was black (Chris Rock)--Dogma is a tortured testament from a true believer. In an age when not only belief in God but belief itself brings a smirk to hip, jaded faces, this is a film out of time, the most devout movie in a modern setting since Robert Bresson's Diary of a Country Priest (1951), and a worthy successor to The Last Temptation of Christ, Martin Scorsese's 1988 parable of doubt purified into faith. Love Dogma or dismiss it, but don't condemn the film for what...
Praise be: a religious drama that is devout without reeking of sanctimony. Eunice Kennedy Shriver and her son Bobby Shriver are the executive producers of this inspirational film, which celebrates Mary's faith and wisdom. While the teleplay admittedly takes dramatic license, it is true to the Gospels. The dialogue is refreshingly unstilted, and the spare, understated performances of newcomer Melinda Kinnaman as the young Mary, Pernilla August (The Phantom Menace) as the mature Mary, and Christian Bale (Velvet Goldmine) as Jesus are credible and moving. One cranky question: Why do American filmmakers always insist that biblical figures spoke with...