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...communication: the gulf between Brecht's selfish characters clawing away at each other on the stage and the dainty gourmet shops sitting outside on Brattle St. seems wide enough to swallow Seven Deadly Sins' compact message. The great virtue of Alvin Epstein's American Repertory Theatre production is its dextrous explication of Brecht's easily garbled multiple ironies. Epstein uses his performers, music, dance, mime and even neon signs to illuminate Brecht's critique of the half-life of the bourgeoisie; he gives it such sober clarity that even the most plumped matron must follow Brecht point by point...

Author: By Scott A. Rosenberg, | Title: Brecht in Boldface | 12/9/1980 | See Source »

...than the "Spiv" of his first two efforts. Those concentrated on a poppy guitar, steady beat, and musical hooks, with songs about women, the working class, and the media. Suddenly, Jackson's oft-avowed affection for reggae has taken over. Graham Maby, one of rock's most melodic and dextrous bassists, assumes center stage, as Jackson acknowledges by allowing him to sing the title track. And Maby holds it well--the bass lines are entrancing, polished, and danceable...

Author: By David M. Handelman, | Title: A Lightweight No More | 12/4/1980 | See Source »

Family Plot. (at the Sack Savoy, Boston). Hitchcock at 78 is still better than anyone else, anytime. This film combines dextrous suspense with a broad humor uncharacteristic of Hitchcock's usual perverse sensibilities. Bruce Dern seems to finally ascending to the position as a major American star that has been predicted for him for years. Dern has cornered the market on self-conscious, self-deluding characters; the locus classicus of such types is California which Hitchcock has portrayed as a land of fast-food joints, endless highways and depraved small towns--in other words, accurately...

Author: By Peter Kaplan and Jonathan Zeitlin, S | Title: Film | 4/22/1976 | See Source »

...among the few who comprise the consistent following of Special Care. Professional musicians who have given the group a serious hearing have favorably compared Eric to the finest guitar players in the country, and his clean, wailing solos provide a consistent testimonial to his remarkable knowledge of music and dextrous rapport with his instrument. This talent is also reflected in his original compositions, such as "Sixty Cycles", a song whose transitions and intricate chord patterns are a tailor-made vehicle for his abilities...

Author: By Peter Southwick, | Title: 'It's Easier To Promise Than To Try' | 12/13/1972 | See Source »

...problem was that his vocal solos were overshadowed by his own accompaniments. He won applause for the dextrous way that he applied blues and a beat to the delicate lines of traditional Spanish guitar. But his high, quavery tenor, though obviously brimming with feeling, was merely good; it had too much of other singers in it and too little of Feliciano. So Jose spent some lean years in search not only of exposure but also of an identity...

Author: /time Magazine | Title: Pop: Latin Soul | 9/27/1968 | See Source »

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