Word: dhoã
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...15th anniversary of the Dunster House Opera (DHO) series. To learn more about this year’s opera, The Harvard Crimson caught up with stage director Matthew M. Spellberg ’09 and musical director John M. Sullivan ’09. Spellberg and Sullivan worked the DHO??s “Marriage of Figaro” last year as well. At last year’s Arts First festival, Spellberg took his opera-directing talents outside of Dunster. Both have also participated in many other musical activities that the college has to offer: Sullivan sings...
...have always had a sort of soft spot for DHO because one of the first productions I did at Harvard was DHO??s “Cosi Fan Tutte.” I was only in the chorus, but I had a wonderful time. My junior year, I had a more substantial role in DHO??s “Dialogues of the Carmelites.” So I guess I never really left...
...FestivalLowell Lecture Hall Schubert and Beethoven Works for String QuartetMemorial Church The Noteables present Songs from the StagePaine Hall MIHNUET CroonersPhillips Brooks House Appalachian SpringSanders Theatre A Cappella ConcertScience Center D4:30 PM Sacred Renaissance WorksAdolphus Busch Hall CatherineCarpenter Center Boots!Harvard Yard Stage Dunster House Opera Society presents DHO??s Favorite AriasHolden Chapel Plan B for the Type A’sLoker Commons Dance FestivalLowell Lecture Hall Harvard University Flute Ensemble Presents CarmenMemorial Church Classical Music SelectionsPaine Hall Joyful Noise (Laurence Tai ’06)Phillips Brooks House Jeolla Woodo Iri PangutSanders Theatre Arts First Improv...
...stark, open set and spare staging suggests that the characters are essentially alone, and that their prayers largely go unanswered. But more importantly, DHO??s production implies that there is no higher power watching over the characters; the only redeeming note of the story, when Blanche meets Sister Constance at the scaffold to die with her, is portrayed as a small triumph of human compassion, not one of divinely inspired martyrdom...
...remarkable that such a dazzling production was presented within the relatively homely quarters of the Dunster House Dining Hall. While one might speculate about the glory that Candide might attain if presented as a full Broadway production, it was easy to appreciate the DHO??s resourceful and impressive production. This isn’t just Voltaire’s satire—it is a satire for the postmodern, Hollywood world...