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...says the ex-West Wing star. "Striding toward me, I see Tony Blair." The day before, Lowe told reporters that more Americans should visit London to show solidarity following the bombings. The British PM sought Lowe out to thank him. Lowe now becomes Britain's prettiest spokesperson since Princess Di...
...Yankees. ?I was deep in my thoughts of despair,? Berry remembered, ?when all of a sudden, from the back of the car, I heard four or five voices raised in song.? It was the refrain of a folk song indigenous to New England: ?Better than his brother Joe, Dominic Di-Mag-gioooooo!? Curious and emboldened, Berry made his way through the car and found Powers leading the chorus. ?He seemed to resemble the immortal ?Nuf Sed McGreevey, a leader of the Royal Rooters of the early 1900s. I introduced myself by offering a toast to the great Jimmie Foxx...
This obsessive focus on perfection can leave Rowling a little unavailable to those around her. She tells the story of a conversation she had with her younger sister--Di, 38--about Hogwarts headmaster Albus Dumbledore, who Di feels sometimes lacks compassion for his charges. "She said, 'That's like you.' And I said, 'What's that supposed to mean?' As sisters do. And she said, 'Well, you are kind of detached.' That was, you know, uncomfortable, and probably quite illuminating. I maybe wouldn't find it as easy as she does to say, 'That person is my very best friend...
Here is the effortless technique of Melba, formidable in the mad scene from a 1901 Lucia di Lammermoor. Here is the Italian tenor Emilio de Marchi, the first Cavaradossi, ringing the rafters with a triumphant Vittoria! in a 1903 Tosca. Here too is the white-hot French soprano Emma Calvé, a peerless Carmen; the Polish soprano Marcella Sembrich, who negotiates the Queen of the Night's treacherous coloratura con molto brio in a 1902 Magic Flute; and the soaring American soprano Nordica (née Norton), who must have been one of the most glorious Brünnhildes in history. And here...
...exponent of Italian opera in the U.S., a kind of La Scala West. Under Carol Fox, its late founder and general manager, Maria Callas made her American debut in a sizzling Norma, and the Lyric became home to such 1950s and '60s legends as Soprano Renata Tebaldi, Tenor Giuseppe di Stefano and Baritone Tito Gobbi. By 1980, though, economic troubles had put the company $300,000 in the red, and Fox was forced to resign...