Word: di
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ANDREW MORTON Di's biographer nabs another book on troubled femme whose leader-lover doesn't love...
Hence the very black comedy Very Bad Things, which he has written and di-rected. In it, five thirtysomething guys from a Los Angeles suburb go off to Las Vegas for a bachelor party a week before one of them is to be married. It turns wild: a call girl accidentally gets killed, a security guard gets murdered, the boys--led by Christian Slater, doing a nice, nasty turn spouting pop-psych Nietzscheanisms--get started on a cover-up. Guilt and panic soon lead to lethal wrangles, then to variously colorful comeuppances. Meantime, Cameron Diaz is sublimely screwy...
Norman Ornstein is a wonk, a wonk's wonk, maybe the wonk di tutti wonks. As a resident scholar at the American Enterprise Institute, he not only talks the wonk's talk, he also walks the wonk's walk. His admission that he is the co-chair of the President's Advisory Committee on the Obligations of Digital Broadcasters trips off his tongue with alacrity. But like so many of the earnest wonks of Washington, he longs to be loved for more than his mind. He wants to be thought of as funny...
Decadence in magenta plus strong singing makes good opera. At three hours, L'Incoronazione di Poppea is a lazy, titillating show with a beautiful string orchestra. The Aggasiz stage is great all-around, and Poppea is fun to watch...
...Incoronazione di Poppea (The Coronation of Poppea) itself, however, pulled its own attention-grabbing weight from the first scene. Monteverdi would have been proud, especially if he had seen the costuming. Perhaps it was the "irony" of looking at the scantily costumed goddess Virtue (Katie Szal '99), or the cute power behind choir boy Jonathan "Yoni" Heilman's role as Amor that so easily distracted me from the layout of the orchestra pit. More probably it was the beautiful magenta flush of the entire stage, revealed at last as the prelude finished...