Word: diaghilev
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Dates: during 1970-1979
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DIED. Tamara Karsavina, 93, regal Russian ballerina who danced with the legendary Vaslav Nijinsky; in London. Karsavina first danced with the Maryinsky (now the Kirov) Ballet, then joined Serge Diaghilev's Ballets Russes for their first Paris season in 1909. A dancer of great beauty who made her every gesture expressive, she was often contrasted with her more classical colleague, Anna Pavlova. After the Russian Revolution she fled to England, where she became the country's best-loved dancer, appearing as a guest artist through the 1920s. She later worked with English Choreographer Frederick Ashton, advised Prima Ballerina...
Manuel de Falla: The Three-Cornered Hat. (The Boston Symphony Orchestra, Seiji Ozawa, conductor Deutsche Grammophon). Like much ballet music heard outside the theater, The Three-Cornered Hat calls for some imaginative listening. Written for Sergei Diaghilev's Ballets Russes, it is enormously theatrical, punctuated with expectant pauses from the first fanfare to the last triumphant Jota. Ozawa leads a bright, brassy performance of the Fandango, Seguidillas and Farucca. Teresa Berganza fans will only wish that she had more to sing...
...first Firebird for its latest, opulent new production. The impulse can scarcely be questioned: few companies have the resources to provide the public with a chance to step back in the history of movement. The sets are handsome mock-ups of those designed by Nathalie Gontcharova for Diaghilev's Ballets Russes. In Natalia Makarova the A.B.T. has a ballerina who understands an older tradition and makes it breathe...
Lubovitch works with a similar sort of gesture in Stravinsky's "Les Noces"--highly specific, mimetic gesture, yet abstract, interesting as pure form. Ignoring the abbreviated libretto Stravinsky wrote with Bronislava Nijinska for the 1923 Diaghilev premiere, the choreographer presents instead his own vision of a Russian peasant rite, an innocent bride and shy groom, their anxious yet wise parents, and high-spirited friends. In a recent interview Lubovitch explained...
...Metropolitan Opera House last week for Balletdirektor Tetley's debut visit with the Stuttgart and his first full-scale work, Daphnis and Chloë. The choice was an odd one. Daphnis and Chloë has not been a lucky ballet. The 1912 Paris première by Diaghilev's Ballet Russe suffered from underrehearsal and, according to Michel Fokine, who choreographed the work, indifferent dancing by Karsavina and Nijinsky. No one faulted the dancing of Margot Fonteyn and Michael Somes in the 1951 Sadler's Wells revival, but the public was cool to Choreographer Frederick Ashton...