Word: diaghilev
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...life in London when "the parents kept a card-index on their children, the better to check upon measles, trips to Europe, and visits to dentists." Jacqueline Lee Bouvier's prize-winning essay of 1951, "People I Wish I Had Known," is reprinted. (She chose Baudelaire, Oscar Wilde and Diaghilev for their theories...
...born of rich bourgeois parents with a passion for the arts, at 20 published his first volume of poetry, La Lampe d'Aladin. Its success plunged the reedy young poet into the world of Proust, Picasso, Diaghilev and Stravinsky. Many give him credit for scattering ideas in a dozen surrealistic arts, but it will never be clear precisely who inspired (or copied) whom. Of Cocteau's ballet, Parade, Andre Gide wrote: "Cocteau knows the sets and costumes are by Picasso and the score by Satie, but he wonders if Picasso and Satie...
...opening work of the program, Hindemith's Nobilissima Visione, left absolutely no taste at all: it was just another work from the Hindemith grab-bag, competently performed. The suite contains five selections from an unsuccessful ballet which Hindemith began in 1919 on a commission from Diaghilev. The ballet lay unfinished after the death of Diaghilev until Hindemith completed it with Massine in 1937; the ballet failed a year later. The three movements of the present are all typified by the concluding Passacaglia, which consists of nineteen variations on a six-measure theme. Here Hindemith blurs the distinction between economy...
...palmy years, from 1890 to 1925, the Monte Carlo gave the world premieres of major works by Berlioz, Ravel, Faure, Honegger, Poulenc and Milhaud, attracted the famed Diaghilev Ballet. More recently it had become little more than a second-rate casino group catering to the international gambling set. Then, six years ago, in an effort to alter the popular, frivolous image of Monte Carlo as a playboy playground. Rainier set out to refurbish his concert orchestra. His first-and canniest-move was to hire ex-French Foreign Legion Officer Frémaux...
Though the company is new to the U.S., American audiences have long been familiar with its graduates. In pre-Bolshevik days, the Kirov was St. Petersburg's Maryinsky company, fountainhead of Western ballet. In graceful profusion, it produced the dancers Nijinsky and Pavlova, the choreographer Fokine, the impresario Diaghilev. Its demanding, perfectionist teachers seeded the world's great troupes with their students: Galina Ulanova went on from St. Petersburg to her triumphs with Moscow's Bolshoi, and Choreographer George Balanchine used his Maryinsky training to reshape the entire U.S. ballet scene...